THE BUSY WORLD IS HUSHED
Saturday, January 22nd, 2011
As an antidote to the strident, demonizing voices of the “Christian” Right, Keith Bunin’s The Busy World Is Hushed comes as manna from playwriting heaven. Bunin’s 2006 off-Broadway hit not only spotlights a gay-affirming branch of Christianity, it also features a lead character who is both a refreshingly open-minded member of the clergy and a mother so accepting of her son’s sexual orientation that she actively encourages his quest for Mr. Right.
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CIRCLE MIRROR TRANSFORMATION
Sunday, January 16th, 2011
There’s no treat for an avid theatergoer quite like the treat of seeing something absolutely fresh and original. Annie Baker’s Circle Mirror Transformation is just such a treat.
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THE EIGHT: REINDEER MONOLOGUES
Monday, December 13th, 2010
Jeff Goode’s The Eight: Reindeer Monologues has been entertaining Orange County audiences at the Chance Theater for the past seven Decembers. In my review of last year’s production, I called it “the funniest (and filthiest) Christmas show in town.” As for its plot, “one by one, Santa’s eight reindeer weigh in on the sex scandal that’s been rocking the North Pole. Is it true that Jolly Old St. Nick (aka ‘that fat fuck’) sexually molested Reindeer Number 8 (aka Vixen), or is the sexiest of The Eight merely looking for her fifteen minutes of fame?”
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A QUEER CAROL
Friday, December 10th, 2010
Charles Dickens’ A Christmas Carol gets a contemporary gay spin—and quite a good one at that—in Joe Godfrey’s A Queer Carol, now getting its Southern California Premiere at Santa Ana’s Theatre Out.
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RENT
Thursday, December 2nd, 2010
Cal State Fullerton’s exceptional production of Jonathan Larson’s Rent makes it amply clear why the university’s Musical Theater program is one of the country’s most highly recommended. Performed by a uniformly outstanding cast of future stars and directed with supreme imagination and style by Kari Hayter, this is a Rent that deserves to be seen by Rent aficionados and newbies alike. For the latter, it will prove a terrific introduction to the groundbreaking rock opera which became an honest-to-goodness contemporary classic during its twelve-year New York run. For the former, it will provide proof positive that a director with a vision and a cast of Broadway-bound triple-threats can take a fourteen-year-old show and make it a fresh new theatrical experience worthy of audience cheers from start to finish.
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EQUUS
Saturday, November 20th, 2010
Peter Shaffer’s Equus presents a greater than usual challenge to a university drama department choosing to undertake a production of the Tony Award-winning Best Play of 1973. Roles like those originated on Broadway by Anthony Hopkins and Peter Firth require a depth of talent and life experience that not all drama majors possess. Shaffer’s ideas about God, sex, and morality might easily whoosh over the heads of actors in their late teens and early twenties. Finally, there is the play’s much publicized nudity, doubtless an important factor in the show’s more than 1200 performances in its original Broadway run, but an element that might prove problematic in a student production.
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THE SECRET GARDEN (THE MUSICAL)
Saturday, November 20th, 2010
The Chance Theater puts its quality stamp on Lucy Simon and Marsha Norman’s The Secret Garden, a musical adaptation of Frances Hodgson Burnett’s classic children’s novel.
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INTO THE WOODS
Thursday, November 18th, 2010
Over the past quarter century or so, Stephen Sondheim and James Lapine’s Into The Woods has become one of the most performed musicals in the U.S.—in regional CLOs, on college and high school campuses, and in intimate theaters. Its first act, which magically combines some of the best loved of Grimm’s Fairy Tales, and its second, which explores with considerable depth what happens after “happily ever after,” make for a show which retains its freshness and originality two decades after it first captivated Broadway audiences.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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