DOG SEES GOD


Santa Ana’s Theatre Out continues its 2012 season with one of the Orange County LGBT theater’s finest “straight play” productions to date, Bert V. Royal’s Dog Sees God: Confessions of a Teenage Blockhead. Directed by Scenie winner Tito Oritz at his inspired best and featuring a remarkably talented young cast, Dog Sees God is not only must-see theater for avid OC and L.A. playgoers, it ought to be required viewing for students from middle school up. Briefly put, Dog Sees God makes for a hilarious, thought-provoking, and ultimately transformative evening of theater.
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A CHORUS LINE


Before 1975, most Broadway theatergoers probably hadn’t given much thought to “the chorus,” those anonymous singers and dancers who backed up the stars that locals and out-of-towners were paying big bucks to see.  For most, these chorus boys and girls were simply the nameless/faceless citizens of River City, Iowa, or Covent Garden, London, or Anatevka, Russia.
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TICKLED PINK


Taking her comic novel Tickled Pink as inspiration, Las Vegas headliner Rita Rudner and husband Martin Bergman have penned a two-act comedy not coincidentally titled Tickled Pink—and the results now onstage at the Laguna Playhouse are likely to tickle the fancy of anyone in the mood for a couple hours of laughs … along with a well-earned tear or two thrown in for good measure.
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REBORNING


The past continues to haunt the present of the two women whose lives intersect in Zayd Dohrn’s powerful personal drama Reborning, now getting its Southern California Premiere—and only its second production—at Orange County’s illustrious Chance Theater, with Resident Artists Casey Long, Jennifer Ruckman, Karen Webster doing some of their best work ever under Artistic Director Oanh Nguyen’s inspired direction.
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MILLION DOLLAR QUARTET


It takes you thrillingly by surprise, that first glance at Elvis Presley, Johnny Cash, Jerry Lee Lewis, and Carl Perkins onstage together, and from then on the excitement never lags in Million Dollar Quartet, Tony-nominated as Best Musical of 2010 and now touring the country, its latest stop at Costa Mesa’s Segerstrom Center For The Arts.
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CLOUDLANDS


Adam Gwon and Octavio Solis might well have subtitled Cloudlands, their World Premiere chamber musical now playing at South Coast Repertory,  An American Musical Greek Tragedy, not all that bad an idea considering how much darker its story turns out to be than the airy romance its one-word title suggests. Regardless, if the idea of divinely preordained doom seems apter subject matter for Euripides or Sophocles (had the two tragedians teamed to write a musical with elements of both Medea and Oedipus), so it might be without Gwon’s gorgeous, haunting melodies to propel the tale of a suicidal San Franciscan teen whose depression is compounded by the discovery that Mom has been cheating on Dad.
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LITTLE WOMEN THE MUSICAL


Few recent Broadway shows offer as many fine roles for theater majors as Little Women The Musical, making it a terrific showcase for students of Cal State Fullerton’s illustrious BFA in Musical Theatre program. That CSUF’s spring musical 2012 also happens to be a delightful, entertaining family treat makes it well worth a drive down to the OC.
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THE PRINCE OF ATLANTIS


An adult adoptee attempts to connect with his birth father, who then concocts a cockamamie scheme to have his younger brother pretend to be Dear Old Dad, in Steven Drukman’s The Prince Of At Atlantis, now getting its World Premiere at South Coast Repertory.
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