LA CAGE AUX FOLLES


Jerry Herman and Harvey Fierstein’s La Cage Aux Folles is back, with 1960s heartthrob George Hamilton as nightclub manager George and Broadway’s Christopher Sieber as the fabulously flamboyant Albin, the star of George’s drag show and the love of his life.

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THE MARVELOUS WONDERETTES CAPS & GOWNS


From its humble beginnings as a one-act at Milwaukee Rep way back in 1998 to its two-year run at the El Portal in the mid-2000s to its 2008 off-Broadway Premiere to its countless regional productions since then, Roger Bean’s The Marvelous Wonderettes has become its very own cottage industry, spawning an Original Cast Recording and assorted souvenirs, a holiday show (“Winter Wonderettes”), and now a wonderfully marvelous sequel, The Marvelous Wonderettes Caps & Gowns, getting its World Premiere at the Laguna Playhouse.
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AVENUE Q


Following its sensational, Broadway-caliber revival of A Chorus Line, 3-D Theatricals now presents the Southern California Regional Premiere of Avenue Q, the Tony-winning Best Musical of 2003, and once again comes up with a production that rivals the Broadway original from start to finish.
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WEST SIDE STORY


Following their multiple award-winning stagings of The Who’s Tommy, Hair: The American Tribal Love-Rock Musical, and Merrily We Roll Along (among others), The Chance Theater’s Oanh Nguyen and Kelly Todd have once again joined forces, this time to reinvent the Broadway classic West Side Story with equally spectacular results.
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CABARET


Theatre Out puts its personal stamp on Kander and Ebb’s Cabaret, making for one of the LGBT theater’s all-around best musical offerings to date and one that solidifies its status as one of Orange County’s top two or three intimate theater companies.
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LES MISÉRABLES


Cameron Mackintosh’s New 25th Anniversary Production Of Boublil and Schönberg’s Les Misérables, now playing at Costa Mesa’s Segerstrom Center For The Arts, is not only the most gorgeous Les Miz you’ve ever seen, it’s one of the most gorgeous productions ever, so perfectly realized that it may make you wonder who ever thought this show needed the revolving stage of the London/Broadway original. Then again, designers back in 1985, when Les Misérables opened in London’s West End, could hardly have imagined the technical advances that make this revolutionary return to Victor Hugo-land a reality.
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DAMES AT SEA


The campy 42nd Street spoof affectionately titled Dames At Sea proves a terrific showcase for the musical theater talents of UC Irvine in the Department Of Drama’s annual end-of-school-year big-stage musical, directed with oodles of imagination by UCI’s brand new Head Of Directing Jane Page.
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AMERICAN IDIOT


Green Day’s American Idiot has arrived in the OC for a head-bangingly exciting one-week engagement at Costa Mesa’s Segerstrom Center For The Arts.
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