AVENUE Q


Following its sensational, Broadway-caliber revival of A Chorus Line, 3-D Theatricals now presents the Southern California Regional Premiere of Avenue Q, the Tony-winning Best Musical of 2003, and once again comes up with a production that rivals the Broadway original from start to finish.
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WEST SIDE STORY


Following their multiple award-winning stagings of The Who’s Tommy, Hair: The American Tribal Love-Rock Musical, and Merrily We Roll Along (among others), The Chance Theater’s Oanh Nguyen and Kelly Todd have once again joined forces, this time to reinvent the Broadway classic West Side Story with equally spectacular results.
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CABARET


Theatre Out puts its personal stamp on Kander and Ebb’s Cabaret, making for one of the LGBT theater’s all-around best musical offerings to date and one that solidifies its status as one of Orange County’s top two or three intimate theater companies.
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LES MISÉRABLES


Cameron Mackintosh’s New 25th Anniversary Production Of Boublil and Schönberg’s Les Misérables, now playing at Costa Mesa’s Segerstrom Center For The Arts, is not only the most gorgeous Les Miz you’ve ever seen, it’s one of the most gorgeous productions ever, so perfectly realized that it may make you wonder who ever thought this show needed the revolving stage of the London/Broadway original. Then again, designers back in 1985, when Les Misérables opened in London’s West End, could hardly have imagined the technical advances that make this revolutionary return to Victor Hugo-land a reality.
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DAMES AT SEA


The campy 42nd Street spoof affectionately titled Dames At Sea proves a terrific showcase for the musical theater talents of UC Irvine in the Department Of Drama’s annual end-of-school-year big-stage musical, directed with oodles of imagination by UCI’s brand new Head Of Directing Jane Page.
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AMERICAN IDIOT


Green Day’s American Idiot has arrived in the OC for a head-bangingly exciting one-week engagement at Costa Mesa’s Segerstrom Center For The Arts.
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DOG SEES GOD


Santa Ana’s Theatre Out continues its 2012 season with one of the Orange County LGBT theater’s finest “straight play” productions to date, Bert V. Royal’s Dog Sees God: Confessions of a Teenage Blockhead. Directed by Scenie winner Tito Oritz at his inspired best and featuring a remarkably talented young cast, Dog Sees God is not only must-see theater for avid OC and L.A. playgoers, it ought to be required viewing for students from middle school up. Briefly put, Dog Sees God makes for a hilarious, thought-provoking, and ultimately transformative evening of theater.
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A CHORUS LINE


Before 1975, most Broadway theatergoers probably hadn’t given much thought to “the chorus,” those anonymous singers and dancers who backed up the stars that locals and out-of-towners were paying big bucks to see.  For most, these chorus boys and girls were simply the nameless/faceless citizens of River City, Iowa, or Covent Garden, London, or Anatevka, Russia.
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