FRIENDS WITH GUNS

Can a “take ‘em all away” couple have Friends With Guns? Playwright Stephanie Alison Walker poses this provocative question in the button-pushing World Premiere latest from the Road Theatre Company on Magnolia.
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THE IMPORTANCE OF BEING EARNEST

Multitalented director Michael Marchak ups the physical comedy to entertaining effect in Crown City Theatre Company’s 124th-anniversary revival of Oscar Wilde’s The Importance Of Being Earnest, but it remains Wilde’s way with words delivered by a terrific cast of Crown City favorites that earn the lion’s share of laughs.
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DEATH HOUSE

What starts off as a capital punishment-vs.-life imprisonment debate develops into something considerably deeper and more powerful in Jason Karasev’s profoundly moving Death House, a Road Theatre Company World Premiere.
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MAMMA MIA!

Get out your disco boots and spandex as Cupcake Theater gives L.A. audiences their very first chance to enjoy the international megasmash Mamma Mia! up close and personal.
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THE EIGHT: REINDEER MONOLOGUES

A salacious Santa’s unspeakable indiscretions aren’t nearly so laughable in a #metoo era as they were when Jeff Goode premiered The Eight: Reindeer Monologues twenty-five Christmases ago, just one reason his quarter-century old collection of R-rated solo confessions proves even more powerful and relevant than when it debuted in 1994, a dark comedy gone darker than ever as its ingeniously staged, splendidly performed Crown City Theatre Company debut makes abundantly clear.
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ROPE

Director Anna Safar puts an unexpected but not unwelcome comedic spin on Patrick Hamilton’s Rope, a Robo & Bash Production at NoHo’s Avery Schreiber Playhouse.
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IT’S A WONDERFUL LIFE: THE RADIO PLAY

There’s more than one Christmas miracle in store for the cast and characters of Theatre Unleashed’s It’s A Wonderful Life: The Radio Play, Jim Martyka’s double-your-pleasure adaptation of the holiday perennial.
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KING LEAR

No one trims the Bard down to basics better than director-of-all-trades Denise Devin, and with Robert A. Prior editing and adapting Shakespeare’s mammoth text in addition to delivering a masterful star turn in the title role, Zombie Joe’s Underground Theatre Group’s 90-minute King Lear packs a powerful punch whenever His Royal Majesty is center stage.
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