DEATH HOUSE

What starts off as a capital punishment-vs.-life imprisonment debate develops into something considerably deeper and more powerful in Jason Karasev’s profoundly moving Death House, a Road Theatre Company World Premiere.
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MAMMA MIA!

Get out your disco boots and spandex as Cupcake Theater gives L.A. audiences their very first chance to enjoy the international megasmash Mamma Mia! up close and personal.
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THE EIGHT: REINDEER MONOLOGUES

A salacious Santa’s unspeakable indiscretions aren’t nearly so laughable in a #metoo era as they were when Jeff Goode premiered The Eight: Reindeer Monologues twenty-five Christmases ago, just one reason his quarter-century old collection of R-rated solo confessions proves even more powerful and relevant than when it debuted in 1994, a dark comedy gone darker than ever as its ingeniously staged, splendidly performed Crown City Theatre Company debut makes abundantly clear.
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ROPE

Director Anna Safar puts an unexpected but not unwelcome comedic spin on Patrick Hamilton’s Rope, a Robo & Bash Production at NoHo’s Avery Schreiber Playhouse.
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IT’S A WONDERFUL LIFE: THE RADIO PLAY

There’s more than one Christmas miracle in store for the cast and characters of Theatre Unleashed’s It’s A Wonderful Life: The Radio Play, Jim Martyka’s double-your-pleasure adaptation of the holiday perennial.
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KING LEAR

No one trims the Bard down to basics better than director-of-all-trades Denise Devin, and with Robert A. Prior editing and adapting Shakespeare’s mammoth text in addition to delivering a masterful star turn in the title role, Zombie Joe’s Underground Theatre Group’s 90-minute King Lear packs a powerful punch whenever His Royal Majesty is center stage.
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A CAROL CHRISTMAS

A bossy, workaholic fashion mogul makes major life changes thanks to a trio of late-night visitors in The Group Rep’s World Premiere holiday musical A Carol Christmas, a tuneful Charles Dickens-inspired crowd-pleaser that with some astute revisions could well end up a regional December delight.
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THE THEORY OF RELATIVITY

Thirteen multitalented millennials, an inspired director and choreographer, and one of the most tuneful and insightful scores in years make for musical theater magic in Neil Bartram and Brian Hill’s The Theory Of Relativity, now playing at NoHo’s Gray Studios.
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