A CHRISTMAS CAROLE KING

No matter how many A Christmas Carols you’ve had to sit through in your life, you won’t want to miss Troubadour Theater Company’s jukebox-musical extravaganza A Christmas Carole King because (as any L.A. theater fan will tell you) when the Troubies do a holiday show, it’s by definition the most must-see of must-sees.
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THE LEGEND OF GEORGIA MCBRIDE

Crown City is back, and though its temporary home in North Hollywood’s Secret Rose Theatre has necessitated a drop in production values, the company’s latest, Matthew Lopez’s The Legend Of Georgia McBride, offers theatergoers a feel-good alternative to traditional seasonal fare.
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THE SPANISH PRAYER BOOK

The Road Theatre’s three-year streak of winners ends with Angela J. Davis’s convoluted, uninvolving The Spanish Prayer Book, the company’s 2019-2020 World Premiere season opener.
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FIREBRINGER

Though only an occasional song or scene or joke hits the mark, a hard-working young cast have fun playing cave people in Brian Holden, Matt Lang, Nick Lang, Meredith Stepien, and Mark Swiderski’s Firebringer: A New Stone Age Musical.
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AVENUE Q

The Group Rep treats audiences to a crowd-pleasing Avenue Q, the 2004 Robert Lopez-Jeff Marx-Jeff Whitty musical comedy smash that imagines what might happen if Jim Henson’s Muppets started singing songs and teaching life lessons about adult topics like sexual orientation, racism, and Internet porn.
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AT THE TABLE

Booze and pot lower inhibitions, loosen tongues, and reveal cracks in the fifteen-year-long friendship of a quartet of 30somethings in Michael Perlman’s At The Table, a Road Theatre Company Los Angeles Premiere that proves as edge-of-your-seat compelling as it is provocatively button-pushing.
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DEATH OF A SALESMAN

Kevin McCorkle makes for a masterful, deeply affecting Willy Loman in The Process 360’s 70th-anniversary intimate staging of Arthur Miller’s Death Of A Salesman, now playing at North Hollywood’s Secret Rose Theatre.
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FRIENDS WITH GUNS

Can a “take ‘em all away” couple have Friends With Guns? Playwright Stephanie Alison Walker poses this provocative question in the button-pushing World Premiere latest from the Road Theatre Company on Magnolia.
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