SCINTILLA


A grown son’s visit to his semi-estranged mother’s woodsy abode soon turns into a matter of life or death as a raging forest fire advances in their direction in Scintilla, Alessandro Camon’s gripping, suspenseful gut-puncher of a Road Theatre Company World Premiere.
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PROMISES, PROMISES

A pair of thoroughly winning romantic leads brighten The Group Rep’s 99-seat revival of the 1968 Neil Simon-Burt Bacharach-Hal David Broadway hit musical Promises, Promises, though an instance of historically incompatible gender reassignment does the production no favors.
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DI LADY DI


Serendipitously timed to coincide with the arrival of Season Five of Netflix’s The Crown, the pre-Thanksgiving return engagement of Di Lady Di makes it abundantly clear why Charlotte Munson’s cleverly titled solo bio-musical was named Best Musical at Hollywood Fringe Festival 2022.
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ALL IS TRUE, OR HENRY VIII


Shakespeare aficionados will welcome the arrival of All Is True, or Henry VIII, aka the play even they probably didn’t know he (co)wrote, as well as the arrival of its gifted director as the new artistic head of the North Hollywood Shakespeareans who call themselves The Porters Of Hellsgate.
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ACCORDING TO THE CHORUS


Backstage comedies pretty much have me at hello. No wonder then that I’ve fallen head over Capezios for According To The Chorus, Arlene Hutton’s captivating journey back in time to Broadway circa 1984, the latest World Premiere delight from North Hollywood’s Road Theatre Company.
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NORMAL NOISES


If laughter is indeed the best medicine, then you’re bound to leave Normal Noises, Clara Rodriguez’s quirky sextet of “plays about real life, only more so” in the halest of health.
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MUD

Loft Ensemble imagines a dystopian future populated by ten nameless, genderless global calamity survivors in Mud, a World Premiere drama I found alternately pretentious and preachy
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THE TWYLIGHT ZONE: THE 6TH DIMENSION

Production values are minimal, but there’s maximum laughter to be found in The Twylight Zone: The 6th Dimension, David Gallic’s cleverly written, ingeniously staged parody of the iconic 1960s TV series of a differently spelled name.
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