A CHRISTMAS CAROL


It wouldn’t be December without Christmas carols or Charles Dickens’ A Christmas Carol, and Zombie Joe’s Underground Theatre Group’s latest gives Los Angeles theatergoers both in just under an hour and performed with such Zombie Joe flair that it’s hard to imagine even Christmas Carol haters not falling for this show. As for those with more traditional tastes, there’s more than enough authentic Dickens to have you leaving Zombie Joe’s Underground with a smile on your face and maybe even the traces of a few tears on your cheeks.
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CHRISTMAS 2

RECOMMENDED
The laughs come fast and furious in SkyPilot Theatre Company’s Christmas 2, however Jeff Goode’s latest will need some pruning, tightening, and polishing if it’s going to have nearly the afterlife of his smash hit The Eight: Reindeer Monologues.
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LOOK HOMEWARD, ANGEL


No intimate theater company in L.A. has produced more—or more consistently excellent—intimate revivals of contemporary Broadway classics over the past half-dozen years than August Viverito and TL Kolman’s The Production Company. Now, following in the illustrious footsteps of The ProdCo’s M Butterfly, Equus, Copenhagen, Amadeus, and The Beauty Queen Of Leenane, comes Viverito and Kolman’s latest (and one of their best), Ketti Frings’ 1957 Pulitzer Prize-winning adaptation of Thomas Wolfe’s Look Homeward, Angel.
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THE LIAR


Silliness has rarely been cleverer or cleverness sillier than in David Ives’ translation/adaptation of Pierre Corneille’s 1644 comedy The Liar, The Antaeus Company’s end-of-season offering and quite possibly the classical theater masters’ frothiest romp ever.
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I LOVE YOU, YOU’RE PERFECT, NOW CHANGE


Men may be from Mars and Women from Venus, but the twain do meet … and fall head over heels … and then decide it’s time to fix each other’s flaws in I Love You, You’re Perfect, Now Change, Joe DiPietro and Jimmy Roberts’ smash off-Broadway musical revue, now getting a sparklingly performed 17th Anniversary revival at North Hollywood’s Crown City Theatre.
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SHERLOCK THROUGH THE LOOKING GLASS


The world’s greatest detective meets the author of Alice of Wonderland in Gus Krieger’s Sherlock Through The Looking Glass, the latest from The Porters Of Hellsgate, and if Krieger’s play could stand some trimming, tightening, and clarifying, topnotch performances and exciting staging combine to further solidify the Porters’ reputation as one of L.A.’s most exciting young acting troupes.
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IN THE NEXT ROOM (or the vibrator play)

Debuting its new home at North Hollywood’s Secret Rose Theatre, L.A.’s award-winning The Production Company opens its seventh season with a sparkling Los Angeles Intimate Stage Premiere of Sarah Ruhl’s delightful, provocative, ultimately uplifting In The Next Room (or the vibrator play), a 2010 Best Play Tony nominee and one that more than matches Ruhl’s previous The Clean House, Dead Man’s Cell Phone, and Eurydice in quirky originality and charm.
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NIGHT HAWKS


A pair of aging partners in murder-for-pay meet in a rundown diner for breakfast (and playwrights-only-know what else) in Dennis A. Pratt & Robert Vincent O’Neil’s crackerjack comedy-mystery-suspense thriller Night Hawks, now getting a much deserved extension at North Hollywood’s Crown City Theatre.
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