SEMINAR


Theresa Rebeck’s darkly comedic, dramatically potent Seminar gives five talented L.A. actors the chance to dazzle under Jeremy Luke’s razor-sharp direction at North Hollywood’s Theatre 68.
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LEGALLY BLONDE


An audience jam-packed with friends and family greeted the opening night performance of Conundrum Theatre Company’s Legally Blonde with the kind of cheers usually reserved for a Taylor Swift concert, and if the production playing this weekend only at NoHo’s El Portal would not under normal circumstances generate that rhapsodic a reception, an energetic young cast headed by a captivating Paloma Malfavón make it a definite crowd-pleaser.
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YOU CAN’T TAKE IT WITH YOU


Few golden age Broadway comedies hold up anywhere near as marvelously as George S. Kaufman and Moss Hart’s 1936 classic You Can’t Take It With You, the playwriting duo’s laugh-packed look at a charmingly eccentric multi-generational family residing together in perfect, if oddball, harmony in a large New York City home in the mid-1930s.
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CAN’T LIVE WITHOUT ‘EM

How would you like to be trapped in a room with your first wife, your current wife, and the girlfriend neither of them knows about? That’s the dilemma faced by a comatose Thomas Axelrod in Lee Redmond’s Can’t Live Without ‘Em, an amusing World Premiere two-hour sitcom now playing upstairs at the Group Rep that I just might have enjoyed even more without its central conceit.
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HIGH MAINTENANCE

Christian Prentice dazzles as a state-of-the-art robot about to star as Torvald in Ibsen’s A Doll’s House opposite TV diva Ivy Khan’s Nora in Peter Ritt’s High Maintenance, an initially captivating Road Theatre World Premiere that fails to live up to expectations in its romance-derailing, credibility-straining final scenes.
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COULD I HAVE THIS DANCE?


To get tested or not to get tested? This is the dilemma faced by 30something sisters Monica and Amanda Glendenning in Doug Haverty’s captivating, compelling family dramedy Could I Have This Dance?, now getting a terrifically acted 33rd-anniversary revival at the Group Rep.
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CONEY ISLAND LAND, OR THE GREAT EXISTENTIAL ACTUALITY AT THE END OF THE UNIVERSE


High school sweethearts reunite for the first time since their breakup thirty years earlier in Timothy Braun’s absorbing World Premiere two-hander Coney Island Land, or The Great Existential Actuality at The End of The Universe, a terrifically acted and designed guest production at North Hollywood’s Theatre 68 Complex.
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TWELVE ANGRY JURORS


Reginald Rose’s Emmy-winning tale of a single dissenting juror’s quest for truth and justice keeps audiences on the edge of their seats for ninety electrifying minutes in the Group Rep’s pulse-pounding revival of Twelve Angry Jurors.
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