SNOWED INN

Love complications ensue when four couples find themselves stuck together under one roof in David Ewing’s overlong, only intermittently amusing romantic sitcom Snowed Inn, now getting its World Premiere engagement at NoHo’s El Portal Theatre.
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A VERY DIE HARD CHRISTMAS

NYPD’s John McClane is back in town to foil dastardly Hans Gruber’s armed band of Teutonic terrorists’ plan to steal $640 million in bearer bonds from L.A.’s towering Nakatomi Plaza as Theatre Unleashed reprises last December’s A Very Die Hard Christmas, Josh Carson’s hit musical spoof of a certain Bruce Willis holiday classic.
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A TELENOVELA CHRISTMAS CAROL

Imagine a bunch of East L.A. or Boyle Heights vecinos getting together to put on a Christmas show for friends and family and what you’ve got is A Telenovela Christmas Carol, Force Of Nature Productions’ unpolished but entertaining adaptation of the Charles Dickens classic Mexican soap opera-style.
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HAIRSPRAY

Hairspray is back in town, and just in time to provide an honest-to-goodness live alternative to NBC’s upcoming Hairspray Live. More importantly, thanks to some sparkling lead and featured performances, Cupcake Theater’s mid-sized revival proves a surefire crowd pleaser for audiences from nine to ninety.
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URINETOWN

Annie, Cabaret, Dreamgirls, Grease, Hair, Mame, Pippin, Rent. One-word-titled Broadway smashes go all the way back to the birth of the modern American musical. (Showboat or Oklahoma!, you take your pick.) Still, there’s never quite been a modern American musical like Urinetown, proof positive of which can be marveled at in director Kari Hayter’s exhilarating intimate-stage revival, the latest from L.A.’s “Pay What You Want” Coeurage Theatre Company.
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A TIME TO KILL

Theatre 68 inaugurates its new, spiffily remodeled Lankershim digs with Rupert Holmes’ skillful 2013 Broadway stage adaptation of John Grisham’s A Time To Kill, an edge-of-your-seat West Coast Premiere likely to prove right up any courtroom-drama lover’s alley.
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NEVERMORE

Imagine an Edgar Allan Poe story with Poe himself as protagonist and you’ve got Nevermore, Matt Ritchey’s theatrical riff on The Fall of the House of Usher (with bits of The Pit And The Pendulum and The Tell Tale Heart thrown in for good measure), arriving at Theater Unleashed in time for Halloween in a production that could be better, but provides just enough laughs and thrills to make for ‘60s thriller movie-style fun.
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THE PLAY ABOUT THE BABY

The Road Theatre Company opens their 2016-2017 season with an imaginatively directed, beautifully acted, gorgeously designed Los Angeles Premiere of Edward Albee’s The Play About The Baby, though whether Albee’s play will speak to you or not will depend on how you feel about abandoning the realistic for the allegorical.
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