FOUR TOP
Sunday, November 24th, 2024
An initially promising hook-up gone suddenly, disastrously amiss is just the start of the romcom roundelay that is Michael B. Kaplan’s laugh-packed World Premiere Four Top, the latest winner presented Upstairs at the Group Rep.
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ROBBIN, FROM THE HOOD
Sunday, October 27th, 2024
Robbin, from the Hood, goes head-to-head with a multibillion-dollar conglomerate in Marlow Wyatt’s invigorating follow-up to 2023’s Best-of-the-Year Scenie-winning SHE.
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BROOKLYN’S WAY
Sunday, September 22nd, 2024An on-fire Amye Partain is a definite find, but an off-putting male protagonist, an overly tangled time frame, and an approach that takes meta to the extreme do neither the play’s leading lady nor the audience any favors in Sam Henry Kass’s Brooklyn’s Way, a Theatre 68 World Premiere.
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MURDER AFTER HOURS (THE HOLLOW)
Saturday, August 31st, 2024
Agatha Christie is at her fiendishly clever best in the very long but very entertaining Murder After Hours (The Hollow), now being revived to deliciously brain-teasing effect at North Hollywood’s the Group Rep.
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SEMINAR
Saturday, June 29th, 2024
Theresa Rebeck’s darkly comedic, dramatically potent Seminar gives five talented L.A. actors the chance to dazzle under Jeremy Luke’s razor-sharp direction at North Hollywood’s Theatre 68.
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LEGALLY BLONDE
Saturday, June 22nd, 2024
An audience jam-packed with friends and family greeted the opening night performance of Conundrum Theatre Company’s Legally Blonde with the kind of cheers usually reserved for a Taylor Swift concert, and if the production playing this weekend only at NoHo’s El Portal would not under normal circumstances generate that rhapsodic a reception, an energetic young cast headed by a captivating Paloma Malfavón make it a definite crowd-pleaser.
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YOU CAN’T TAKE IT WITH YOU
Saturday, June 1st, 2024
Few golden age Broadway comedies hold up anywhere near as marvelously as George S. Kaufman and Moss Hart’s 1936 classic You Can’t Take It With You, the playwriting duo’s laugh-packed look at a charmingly eccentric multi-generational family residing together in perfect, if oddball, harmony in a large New York City home in the mid-1930s.
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CAN’T LIVE WITHOUT ‘EM
Monday, May 6th, 2024How would you like to be trapped in a room with your first wife, your current wife, and the girlfriend neither of them knows about? That’s the dilemma faced by a comatose Thomas Axelrod in Lee Redmond’s Can’t Live Without ‘Em, an amusing World Premiere two-hour sitcom now playing upstairs at the Group Rep that I just might have enjoyed even more without its central conceit.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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