OY! TO THE WORLD ~ CHRISTMAS WITH A TWIST!


A couple dozen of your all-time holiday favorites get performed to perfection in OY! To The World ~ Christmas With A Twist!, back for its second December at the El Portal Theatre and once again celebrating a great big bunch of Christmas classics with one very special thing in common. Jewish songwriters wrote them all.
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MRS. DILBER’S CHRISTMAS CAROL

It’s a clever, promising premise, and were it given less over-the-top treatment, Arthur M. Jolly’s Mrs. Dilber’s Christmas Carol just might be a winner, but excessively broad performances squander much of the good cheer Jolly’s script might otherwise inspire. (It would help too if you could understand more than half of what the actors are saying.)
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FOUR TOP


An initially promising hook-up gone suddenly, disastrously amiss is just the start of the romcom roundelay that is Michael B. Kaplan’s laugh-packed World Premiere Four Top, the latest winner presented Upstairs at the Group Rep.
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ROBBIN, FROM THE HOOD


Robbin, from the Hood, goes head-to-head with a multibillion-dollar conglomerate in Marlow Wyatt’s invigorating follow-up to 2023’s Best-of-the-Year Scenie-winning SHE.
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BROOKLYN’S WAY

An on-fire Amye Partain is a definite find, but an off-putting male protagonist, an overly tangled time frame, and an approach that takes meta to the extreme do neither the play’s leading lady nor the audience any favors in Sam Henry Kass’s Brooklyn’s Way, a Theatre 68 World Premiere.
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MURDER AFTER HOURS (THE HOLLOW)


Agatha Christie is at her fiendishly clever best in the very long but very entertaining Murder After Hours (The Hollow), now being revived to deliciously brain-teasing effect at North Hollywood’s the Group Rep.
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SEMINAR


Theresa Rebeck’s darkly comedic, dramatically potent Seminar gives five talented L.A. actors the chance to dazzle under Jeremy Luke’s razor-sharp direction at North Hollywood’s Theatre 68.
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LEGALLY BLONDE


An audience jam-packed with friends and family greeted the opening night performance of Conundrum Theatre Company’s Legally Blonde with the kind of cheers usually reserved for a Taylor Swift concert, and if the production playing this weekend only at NoHo’s El Portal would not under normal circumstances generate that rhapsodic a reception, an energetic young cast headed by a captivating Paloma Malfavón make it a definite crowd-pleaser.
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