THE KING AND I
Thursday, May 14th, 2009
When you’ve seen a musical theater classic like Rodgers and Hammerstein’s The King And I as many times as I have, the excitement of each new production (besides the pleasure of revisiting an old favorite) is seeing new performers, directors, choreographers, musical directors, and designers put their own stamp on it.
(read more)
MARRY ME A LITTLE/THE LAST FIVE YEARS
Tuesday, May 12th, 2009
My favorite East West Players shows are their productions of well-known plays and musicals which offer Asian-American actors the opportunity to tackle roles for which they might not normally be considered. Whether dramatic fare, like Proof or Equus, or musicals like Little Shop Of Horrors or pretty much all of the Sondheim oeuvre, or a play with music like Master Class, these are the productions which have left the strongest, best impressions on me.
(read more)
BIG THE MUSICAL
Friday, May 8th, 2009
Following its award-winning productions of Zanna, Don’t and Assassins, West Coast Ensemble continues its winning streak of musical hits with a sensational intimate staging of Big The Musical.
(read more)
JESUS CHRIST SUPERSTAR
Tuesday, April 28th, 2009
As one of the few musical theater buffs who’d never seen a big stage production of Andrew Lloyd Webber’s Jesus Christ Superstar, I didn’t know quite what I’d be in for at Civic Light Opera Of South Bay Cities’ big-cast, big-scale revival of the Andrew Lloyd Webber rock classic, though given CLOSBC’s great track record and the sensational lineup of talent in the JCS cast, I knew I’d be in for something special.
(read more)
NO WAY TO TREAT A LADY
Sunday, April 19th, 2009
A serial killer is on the loose in New York, strangling elderly women one by one, and leaving a lipstick kiss on the forehead of each of his victims. Hardly the stuff of musical theater, you might think.
(read more)
THE GIRL, THE GROUCH, AND THE GOAT
Saturday, April 18th, 2009
The Chance Theater scores a real coup in presenting the West Coast Premiere and first professional production of the latest musical by Mark Hollmann, the Tony-winning composer/co-lyricist of Urinetown. (I guess this means that it could well be billed as the show’s Professional World Premiere.) The musical is The Girl, The Grouch, And The Goat, and if Urinetown’s Little Sally had issues with the title of her musical, imagine what she’d have to say about this new mouthful of a title. Then again, this is indeed the story of a girl (named Myrrhine), a grouch (named Clemnon), and a goat (who remains nameless).
(read more)
LITTLE WOMEN
Sunday, April 12th, 2009
There’s scarcely a girl or woman alive who hasn’t at one time read Louisa May Alcott’s Little Women. Add to that the millions who’ve seen at least one of its filmings, whether 1933’s with Katharine Hepburn as Jo, or 1949’s with June Allyson, or 1994’s with Winona Ryder, and you have a built-in audience for Little Women The Musical. L.A.’s Lyric Theatre scales down the Broadway production to 99-seat theater dimensions (a full orchestra becomes a single piano here), the more intimate setting providing a particularly appropriate fit for Alcott’s family tale. A quartet of talented recent musical theater grads bring the four March sisters to vibrant life, surrounded by an all-around excellent supporting cast to make for an evening of theater sure to enchant not only Little Women’s legion of fans but just about any musical theater aficionado.
(read more)
GOTHMAS
Saturday, April 11th, 2009NOT RECOMMENDED
When a show’s pre-performance announcements include the warning “Rated R for adult situations and fucking,” you know you’re in for something different. That something is Gothmas, billed as a “dark, holiday, horror, bisexual, romantic, funny, feel-weird rock musical for the whole family (no children).” The show is indeed dark, and features holidays from Halloween to Thanksgiving to Christmas to Valentine’s Day—and horror (one character is axed to bits). A few characters are gay and one is bi. It’s sometimes quite funny (in a weird sort of way), and the songs have a grunge rock sound to them. It’s certainly not for children nor is it likely for the average L.A. theater audience, but those who’ve made The Rocky Horror Show a cult hit may eat it up.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
COPYRIGHT 2026 STEVEN STANLEY :: DESIGN BY