LUCKY STIFF


Glendale Centre Theatre follows its sensational staging of Footloose The Musical with Lucky Stiff, an absolutely delightful, albeit smaller scale musical treat, and the first collaboration of Ragtime’s Lynn Ahrens and Stephen Flaherty.  Though it is based on Michael Butterworth’s novel The Man Who Broke The Bank At Monte Carlo, movie fans will most likely be reminded of Weekend At Bernie’s. You remember Bernie, the corpse that Andrew McCarthy and Jonathan Silverman had to convince everyone was hale and hearty and having the time of his life?  Well, the “stiff” in Lucky Stiff is murder victim Anthony Hendon, who has left a $6,000,000 fortune to his British nephew Harry Witherspoon on one condition:  Harry must take Uncle Anthony’s corpse on one last vacation to Monte Carlo.
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OEDIPUS THE KING. MAMA


The Troubadour Theater Company is back with Oedipus The King, Mama, one of their funniest shows ever and of those I’ve seen the best danced bar none.
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LEGALLY BLONDE


Having conquered both Harvard Law School and Hollywood in the movie smash that made Reese Witherspoon an A-list star, Legally Blonde’s Elle Woods then went on to take Broadway by storm as the heroine of 2007’s Legally Blonde The Musical. Now, the not-so-dumb-blonde has arrived at Hollywood’s Pantages Theatre in a textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect Broadway musical.
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THE MUSIC MAN


If you want to know why The Music Man is one of the three longest-running musicals of the 1950s, head on up to Solvang for proof positive that Meredith Willson’s biggest hit is also one of the best Broadway musicals ever.
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LIFE COULD BE A DREAM


Looking for a great evening of musical nostalgia, romance, and laughter? Then travel back in time to the days of “Doo-Wop” in Roger Bean’s sure-to-be-a-smash new musical Life Could Be A Dream, just opened at the Hudson Mainstage Theatre.
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40 IS THE NEW 15

RECOMMENDED
Five former high school classmates turning 40 reflect on the ways their lives have changed over the past quarter century in 40 Is The New 15, a new musical by Larry Todd Johnson and Cindy O’Connor. Though “workshop” would be a more appropriate description of this not quite fully-staged production, tuneful, clever songs, an engrossing storyline, and a quintet of fine performances make this an entertaining, moving, and very promising evening of musical theater.
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THE FIRST WIVES CLUB


Take a hit movie about a trio of 40something wives getting even with husbands who’ve abandoned them for younger women, add songs written by a trio who can truly be called legendary, cast the show with some of Broadway’s finest performers—and you have The First Wives Club, a thoroughly entertaining new musical now in its pre-Broadway run at San Diego’s Old Globe Theatre, under the brisk direction of Francesca Zambello.
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FOOTLOOSE


Ever hear of Bomont, the town where it’s illegal to dance? Well, if you’re a movie buff, you certainly have.  That’s the town where Kevin Bacon and his mom moved in 1984’s Footloose, much to Kevin’s dismay. The movie introduced a heap of 80s hits, including the title song, “Let’s Hear It For the Boy,” “Almost Paradise,” “Holding Out For A Hero,” “I’m Free,” “Somebody’s Eyes,” and “The Girl Gets Around.”  Fourteen years later Footloose made it to Broadway, as a full-fledged musical this time, with most of the movie hits integrated into its story line and a bunch of new Tom Snow creations added. The resulting production ran for over 700 performances, and though it’s reputed to be a favorite high school musical, I can’t recall a major L.A. production. 
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