SEVEN BRIDES FOR SEVEN BROTHERS


The 1954 MGM musical movie hit Seven Brides For Seven Brothers comes to life in-the-round at Glendale Centre Theatre in a production that provides old-fashioned G-rated family entertainment under Robert Marra’s assured direction.
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SHREK THE MUSICAL


Forget any preconceived notions you may harbor about Shrek The Musical being just another animated movie-turned-Broadway musical or a show designed only for tiny tots. With book and lyrics by David Lindsay-Abaire (the Pulitzer Prize-winning author of Rabbit Hole) and music by multiple award-winning Jeanine Tesori (Caroline, or Change, Thoroughly Modern Millie), Shrek The Musical is a smart, funny, tuneful musical treat whose fresh new non-Equity tour, now playing at Costa Mesa’s Segerstrom Center For The Arts, puts it at the top of my list of favorite recent Broadway hits.
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SINGIN’ IN THE RAIN


The 1952 MGM Musical classic Singin’ In The Rain gives Downey Civic Light Opera its best production since 2009’s My Fair Lady, one that judging from the enthusiastic reaction of Friday’s Opening Night audience could well prove DLCO’s biggest hit in as many years.
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RICHARD O’BRIEN’S THE ROCKY HORROR SHOW


How does one review the revival of a camp classic? How does a reviewer deal with that oxymoronic juxtaposition of camp and classic? Can something “so bad it’s good” actually achieve the status of a classic?
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SOUTH STREET

RECOMMENDED
A phenomenal cast of Broadway and regional theater triple threats open the  Pasadena Playhouse’s 2011-2012 season with South Street: A New Musical Comedy, directed by the multitalented Roger Castellano and choreographed by the always terrific Dana Solimando.  If only the World Premiere musical matched their talents.
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GUYS AND DOLLS


Damon Runyon’s colorful New York denizens are lighting up the stage at Rolling Hills Estates’ Norris Theatre in their 2011-2012 season opener, a highly entertaining production of Frank Loesser’s Guys And Dolls.
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THE LAST FIVE YEARS


One of the most exciting things about live theater is being able to see favorite plays and musicals revived with new actors tackling iconic roles, new directors putting their stamp on familiar material, and new design teams giving old shows new looks.
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CABARET


It takes chutzpah to fiddle with a classic and heaps of talent to pull it off, both of which Tony-nominated director-choreographer Marcia Milgrom Dodge does to breathtaking effect in her brilliant revisal of Joe Masterhoff, John Kander, and Fred Ebb’s Cabaret for Reprise Theatre Company.
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