ANNE OF GREEN GABLES

RECOMMENDED
The thousands of angry Orange Countians who picketed or emailed the Chance Theater in outraged protest over Jerry Springer: The Opera, the company’s recently Ovation Awarded Best Intimate Theatre Musical, will have to look elsewhere this holiday season for a show to get their knickers in a twist over, or at least not on the nights or afternoons that Anne Of Green Gables is being performed.
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SALLY SPECTRE THE MUSICAL

RECOMMENDED
Sally Spectre, the heroine of David P. Johnson’s charming if wispy chamber musical of the same name, has lived her life (sorry, make that her death) with a hatchet in her head for the past fifty years, trapped inside the bedroom that was hers during her short time on earth. Though Johnson’s book is vague on just why she’s unable to flee from her room or what exactly will happen if and when she does make her escape, a bunch of terrific performances and some clever, tuneful songs make Sally Spectre The Musical an entertaining hour and fifteen minutes of gothic froth.
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VICTOR/VICTORIA

NOT RECOMMENDED

A show-stopping performance by Kristin Towers-Rowles, StageSceneLA’s Scenie-winning Breakthrough Musical Theater Performer Of The Year, is the best reason to see Malibu Stage Company’s small-stage production of the rarely staged Victor/Victoria.
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HAIRSPRAY


It’s taken nearly ten years for the Broadway smash musical Hairspray to get its first L.A.-area CLO production, but it’s been well worth the wait, as Musical Theatre West’s sensational Opening Night performance at the Carpenter Center made abundantly clear.
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THE ROBBER BRIDEGROOM


When was the last time you saw a production of the Tony Award-winning, Drama Desk Award-nominated Broadway musical The Robber Bridegroom?

Ask most any Los Angeles theatergoer for their answer and the one you’ll probably get is “Never.” Despite a hilarious book and oh-so clever lyrics by Alfred (Driving Miss Daisy) Uhry and a showful of catchy bluegrass melodies by Robert Waldman, about the only professional L.A. production in the past decade would appear to have been Musical Theatre Guild’s one-night-only concert staged reading in 2001—all the more reason to celebrate its current revival at International City Theatre in Long Beach, though hardly the only one.
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THE WIZARD OF OZ


Children of all ages (and that means parents and grandparents too) can now join Dorothy, Scarecrow, Tin Man, Lion, and Toto in following the yellow brick road to the Land Of Oz as 3-D Theatricals concludes its second season with the L. Frank Baum/MGM classic The Wizard Of Oz.
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tick, tick … BOOM!


With its twelve years and 5,124 performances on Broadway, a major motion picture, countless recent Southern California productions large and small, and an ongoing off-Broadway revival, it seems hard to believe there was ever a time before Jonathan Larson’s Rent.

But there was.
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CarnEvil

NOT RECOMMENDED

Sacred Fools Theatre Company, the troupe that brought Los Angeles such delightful oddities as Hamlet Shut Up, Land Of The Tigers, and BeaverQuest! The Musical, now gives us CarnEvil: A Gothic Horror Rock Musical, a show which makes its predecessors seem positively tame by comparison and one that David Cronenberg fans may well drink up like Dracula at a victim’s neck. Still, despite considerable talent onstage and off, CarnEvil ended up being not this reviewer’s cup of tea, or goblet of blood as the case may be.
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