IF/THEN

The production itself is a mixed bag, but at the very least Chromolume Theatre’s black-box staging of the Broadway musical If/Then gives L.A. audiences the chance to rediscover a show that didn’t deserve to vanish from sight after its National Tour played the Pantages ten years ago.
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E=MC²

If the life of Albert Einstein seems rather unlikely subject matter for a musical, at the very least the scientist who gave us the Theory of Relativity deserves better than E=MC², the well-intentioned musical muddle now guesting at Glendale’s Kiki & David Gindler Performing Arts Center.
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MEAN GIRLS


No one can top Wisteria Theater these days when it comes to downscaling big-stage/big-budget Broadway musicals to intimate proportions while maintaining maximum entertainment value. Case in point, their fetch and fabulous take on Mean Girls The Musical.
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MAMMA MIA!


Mamma Mia!, the jukebox musical that started it all, has returned to the Ahmanson Theatre, its 25th-Anniversary Tour treating the Broadway mega-smash’s mega-multitude of fans to not only two dozen of ABBA’s Greatest Hits but a much-needed feel-good night or matinee of musical theater enchantment.
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THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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ANASTASIA


Anastasia The Musical provides a glorious close to the 2025-2026 La Mirada Theatre season as a Disney-style animated flick for the kiddies gets transformed into an epic romantic musical for grown-ups blessed by one fabulous performance after another and the most gorgeous costumes and cinematic backdrops in town.
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HELL’S KITCHEN


Coming of age has rarely been brought to life on the musical theater stage as movingly or exhilaratingly as it is in Alicia Keys’ Hell’s Kitchen, now bringing L.A. audiences to their feet at the Hollywood Pantages Theatre.
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BRIGADOON


Alan J. Lerner and Frederick Loewe’s Brigadoon gets a long overdue makeover at the Pasadena Playhouse, one that updates Lerner’s creaky book while not changing a note of the musical theater classic’ gorgeous score, and the result is the most glorious of revivals.
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