PLASTIC CRYSTAL

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Michael Miller has lived with Obsessive Compulsive Disorder since the age of seven.  He always arranges his shoes “just so” before going to bed, moving them from this position to that one and back again, and then to another, until he is satisfied.  He locks his apartment from the outside even when his girlfriend is still inside, even when she has just told him not to. Even worse are his obsessions, most particularly his obsession with blood.  Michael once found a small stain on a shirt and soon became convinced that it was AIDS infected blood.  The discovery of a band-aid inside a load of laundry washed at a public laundromat sends him into a frenzy, disinfecting everything the clothes may have touched.
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AMERICAN DEAD


Five years ago, Grace Tisdale, a young Midwestern deputy sheriff and Mark Shawver, a teenage bagger, were gunned down in a grocery store robbery, precisely the kind of crime big city dwellers read about on a daily basis. To the residents of this small American town, however, it was not merely the deputy and the teenager who were victimized.  Grace Tisdale left behind a husband and a brother, both of whose lives were forever changed.
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LA CAGE AUX FOLLES


Downsizing Broadway musicals to fit Equity waiver stages has become an L.A. theater tradition (and challenge) to companies with limited space and budgets. Though somewhat rough around the edges, the Knightsbridge Theatre’s production of Jerry Herman and Harvey Fierstein’s La Cage Aux Folles succeeds admirably and enthusiastically, re-imagining La Cage as a Studio City “tranny” bar yet losing none of the original’s laughter, musical dazzle, and tears.
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THE LAST SEDER


Jennifer Maisel’s warm and winning family dramedy The Last Seder opens with Michelle (Elisa Donovan), the youngest of four adult sisters, inviting Josh (Douglas Dickerman), a total stranger, to her family home. Michelle’s Alzheimer’s afflicted father Marvin (Joseph Ruskin) is about to be moved for long-term care into the serenely named Serenity Willows and the family home is soon to be sold, thus this year’s Seder will be the family’s last together and Michelle does not want to arrive empty-handed, so to speak.
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IN HEAT


“How can you mend a broken heart?” asked the BeeGees a few decades back. If you are actor Malcome Danare, you write a play. The result of Danare’s 2006 heartbreak is In Heat, a “comedy in four one-acts,” currently playing at The Lost Studio, and a very funny and original comedy it is.
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ADAM BAUM AND THE JEW MOVIE


In Modern Orthodox, Daniel Goldfarb hilariously contrasted two extremes of modern Judaism. In Adam Baum And The Jew Movie, he writes an equally laugh-filled comedy about the legendary Jewish studio heads who created decades of Jew-free movies in Hollywood.
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A VERY BRADY MUSICAL

The Brady Bunch is (are?) alive and well and on stage at Theatre West in the brand new A Very Brady Musical.  With music and lyrics by Hope and Laurence Juber and book by Lloyd J. Schwartz and Hope Juber, A Very Brady Musical mixes multiple plots with catchy songs to create a mostly entertaining evening of tuneful entertainment.
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THE BLOWIN OF BAILE GALL


Ronan Noone’s The Blowin Of Baile Gall deals with racism and xenophobia in Ireland, but it could just as easily be set anyplace in the United States where people frustrated with their own failures and inadequacies find it necessary to stereotype and demonize those who are “the other.” It could be about African Americans angry at Korean grocers taking over businesses in “their”  neighborhoods, or Latinos detesting the gentrification of their neighborhoods by upscale gays, or Caucasians complaining about “illegal immigrants.”  Sound familiar?
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