RED SCARE ON SUNSET

RECOMMENDED
No one spoofs classic Hollywood movie genres better than Charles Busch.  Whether it be the Ross Hunter women’s pictures of the 1950s and 60s (Die! Mommie! Die!) or Frankie and Annette Beach Party flicks (Psycho Beach Party) or WWII spy epics (The Lady In Question), Busch knows his Hollywood backwards and forwards.  The more his audience knows about movie styles and movie stars, the funnier Busch’s plays are, but even those not so familiar with names like 1950s TV staples Kate Smith, Dagmar, and Norman Vincent Peale will find laughs aplenty in Red Scare On Sunset, which lampoons (and pays tribute to) late 40s/early 50s red-baiting propaganda films like Red Menace, I Married A Communist, and My Son John.
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BE LIKE WATER

NOT RECOMMENDED

It’s not easy being 14, especially when you’re different from the other kids.  That’s what Chinese-Japanese-American Tracy (Saya Tomioka) has discovered in her Uptown Chicago neighborhood in the year 1978.  Unlike her popular classmate Tina (Ariel Rivera), an Asian teen Farrah Fawcett clone, Tracy would rather watch Bruce Lee movies than go to Nisei dances. Unlike her unfortunately named classmate Bruce Lee (Shawn Huang), Tracy would rather practice kung fu moves than dance the latest disco steps to “Disco Inferno” or “He’s The Greatest Dancer.”
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SUFFER THE LONG NIGHT


FLU EPIDEMIC STRIKES COMMUNITY THEATER
UNDERSTUDIES REPLACE 19 OUT OF 23 IN CAST
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THE PAVILION


As the strains of The Beatles “Across The Universe” fade, a young man appears on a bare black stage.
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deLEARious


Open Fist Theatre has come up with a winner in their World Premiere production of deLEARious, a Monty Python meets William Shakespeare delight of a musical within a musical within a musical.
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THE COMEDY OF ERRORS


Open Fist’s production of William Shakespeare’s The Comedy Of Errors may be the most fun I’ve ever had at a Shakespeare play, and that’s saying something for a Shakespeare-phobe like me. Now don’t get me wrong.  I don’t really hate Shakespeare, and I have had fun at a Shakespeare play … a few times, at least.  The trouble is that the Bard’s 16th Century English and tangled plotlines often go right over my head, or at least past my ears without really sinking in. Not so with Open Fist’s Comedy Of Errors. I’m not quite sure how they did it, but director Ron West and his cast of zanies have somehow clarified Shakespeare for me, archaic speech, convoluted storyline and all.  The play’s 90 minutes (clearly some judicious snipping took place) just zipped by and I actually understood what was happening most of the time! I had a ball!
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7 REDNECK CHEERLEADERS


Spread the news! Those 7 Redneck Cheerleaders are back in town for even more over-the-top fun!

For all those who couldn’t get enough of their smash 2006 return engagement, the Elephant Theatre Company’s band of zanies once again provide broadminded Angelinos with the most outrageously funny show in town, directed to perfection by Amy French.
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BODY POLITIC


Every so often I see a play that hasn’t been on my “must see” list, a play that I just happen to pick because it fits into my schedule, a play that sounds like it might be interesting but then again maybe not … and then it turns out to be something extraordinary, and I think to myself, I almost missed that!
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