WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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HUNGRY GHOST

A pregnant woman is visited nightly by the Stevie Nicks-loving adult ghost of her as yet unborn child in Hungry Ghost, Lisa Sanaye Dring’s surreal, supernatural head-scratcher of a play now getting its Skylight Theatre Company World Premiere.
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HEROES OF THE FOURTH TURNING


If the idea of spending two hours listening to Catholic conservatives inveigh against abortion, LGBT rights, and other left-wing causes sounds off-putting, think again.

There’s a reason why Will Arbery’s Heroes Of The Fourth Turning, now getting an absolutely sensational Rogue Machine Theatre Los Angeles Premiere, was a 2020 Pulitzer Prize Finalist for Drama. There’s a reason why the New York Times called it “astonishing and riveting.”
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PETER PAN GOES WRONG


The laughs keep coming and coming and coming as the mishaps keep piling up in Peter Pan Goes Wrong, the side-splittingest show to play the Ahmanson since The Play That Goes Wrong had audiences rolling in the aisles four years back.
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CRABS IN A BUCKET


If Eugene Ionesco or Samuel Beckett were writing plays today, they might well have come up with something very much like Bernardo Cubría’s tangy absurdist comedy, Crabs In A Bucket, now getting its World Premiere at Echo Theater Company.
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LAST SUMMER AT BLUEFISH COVE


Last Summer At Bluefish Cove, Jane Chambers’ groundbreaking lesbian romantic dramedy, has returned to the theater that first introduced it to L.A. audiences 40 years ago in a superb outdoor revival that makes Fountain Theatre the place to be This Summer In Los Angeles.
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INTO THE WOODS


Stunningly fresh takes on iconic roles distinguish the the newest Broadway revival of composer-lyricist Stephen Sondheim and book writer James Lapine’s Into The Woods, now playing at the Ahmanson, from the myriad productions that have preceded it.
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