HOUSE OF GOLD
Saturday, October 29th, 2011RECOMMENDED
The personal tragedy of the still unsolved 1996 murder of six-year-old JonBenét Ramsey has, in the years since her death, been eclipsed by the ensuing media side show, one that continues to this day. Playwright Gregory Moss satirizes our endless fascination with JonBenét in his black comedy House Of Gold, now getting its West Coast Premiere by Ensemble Studio Theatre Los Angeles in a production worth a look-see despite considerable shortcomings, thanks to imaginative direction by Gates McFadden, a brilliant performance by award-winning theatre vet Jacqueline Wright as JonBenét, and a sensational production design.
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NINE CIRCLES
Saturday, October 29th, 2011
If protests against the war in Iraq have never come close to reaching the size or intensity of those of the Vietnam War era, one need merely compare the military demographics of troops serving in the Iraqi desert with those of soldiers sent to fight in the jungles of Southeast Asia. Whereas the pre-1973 military draft affected all but the wealthiest of Americans more or less equally, these days we have an all-volunteer Army, few of whose members have likely chosen a soldier’s life over a university degree or a white collar job. In fact, as Bill Cain’s Nine Circles makes abundantly clear, with soldiers like Pvt. Daniel Reeves in uniform, our military may well be scraping the very bottom of the barrel in recruiting new grunts. If not for Cain’s searing, probing, heart-rending look at Pvt. Reeves wounded soul, few among us would give much of a damn whether he lived his soldier’s life or got sent home in a body bag.
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I LOVE LUCY® LIVE ON STAGE
Monday, October 24th, 2011
Have you ever wondered what it might have been like to be inside Desilu Studios for a taping of the sitcom that revolutionized TV? If so, then let I Love Lucy® Live on Stage be your time machine back to the early 1950s—and ninety of the funnest/funniest minutes you’re likely to have all year.
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ALL MY SONS
Sunday, October 23rd, 2011
It’s been nearly sixty-five years since Broadway audiences first thrilled to Arthur Miller’s All My Sons, decades during which countless actors have put their stamp on the now iconic roles of factory owner Joe Keller, Joe’s son Chris, Chris’s fiancée Ann Deever, and Ann’s brother George. It’s a sure bet, however, that few if any of them have ever looked like Alex Morris, A.K. Murtadha, Linda Park, and James Hiroyuki Liao—and for obvious reasons. The Kellers and Deevers are Caucasian. Morris, Murtadha, Park, and Liao are not.
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MONKEY ADORED
Monday, October 17th, 2011RECOMMENDED
In his 2009 post-apocalyptic nightmare fairy tale Treefall, playwright Henry Murray, director John Perrin Flynn, a superb quartet of actors, and an extraordinary design team joined forces at Rogue Machine for one of the year’s most moving, thought-provoking, absorbing pieces of theater.
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tick, tick … BOOM!
Monday, October 10th, 2011
With its twelve years and 5,124 performances on Broadway, a major motion picture, countless recent Southern California productions large and small, and an ongoing off-Broadway revival, it seems hard to believe there was ever a time before Jonathan Larson’s Rent.
But there was.
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CarnEvil
Saturday, October 8th, 2011NOT RECOMMENDED
Sacred Fools Theatre Company, the troupe that brought Los Angeles such delightful oddities as Hamlet Shut Up, Land Of The Tigers, and BeaverQuest! The Musical, now gives us CarnEvil: A Gothic Horror Rock Musical, a show which makes its predecessors seem positively tame by comparison and one that David Cronenberg fans may well drink up like Dracula at a victim’s neck. Still, despite considerable talent onstage and off, CarnEvil ended up being not this reviewer’s cup of tea, or goblet of blood as the case may be.
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GUIDED CONSIDERATION OF A LAMENTABLE DEED
Saturday, September 24th, 2011
The play may well be the thing, but sometimes “the thing” adds up to considerably more than just the play. Such is the case with needtheater’s World Premiere production of Frank Basloe’s Guided Consideration Of A Lamentable Deed. Though Basloe’s dark comedy is intelligent, entertaining, and thought-provoking enough to stand on its own, when you add a pre-show “kegger” (more about that later), a one-of-a-kind venue, and live music after the show for those who wish to stick around, this brand new play by a relative unknown becomes a “thing” well worth taking a chance on.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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