LITTLE SHOP OF HORRORS
Friday, October 5th, 2012
The prodigiously talented students of USC’s Musical Theatre Repertory join forces to produce, direct, perform in, and design one of MTR’s absolute best productions to date, an almost perfect intimate theater revival of the Broadway/cult classic Little Shop Of Horrors that more than holds its own against the finest professional productions in town.
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SILENCE! THE MUSICAL
Tuesday, October 2nd, 2012
When a flock of musical theater triple-threats adorned with sheep’s ears and hooves blend light-operatic voices to sing out “This is the story of Clarice,” only to be joined by a pantsuit-clad jogger looking like none other than a young Jodie Foster in FBI trainee mode, there’s only one place you could possibly be, whether in New York or L.A., and that’s at SILENCE! The Musical, the “unauthorized parody of Silence Of The Lambs” whose continuing Off-Broadway run has proved so successful that a sister production has now opened in Los Angeles to audience laughter and cheers.
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A KIND OF LOVE STORY
Monday, September 24th, 2012
“This is the story of two people who were made for each other, true soul mates, a man and a woman destined to fall in love with each other, if only they could ever meet” … is how an unseen narrator opens Jenelle Riley’s contemporary storybook romcom A Kind Of Love Story, now entertaining audiences at Sacred Fools Theatre.
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ENCOUNTER
Thursday, September 13th, 2012NOT RECOMMENDED
East West Players abandons its usual fare (i.e. Asian-American-themed plays and musicals and mainstream plays and musicals with Asian-American casts) for an evening of South Asian dance. Those expecting colorful, Bollywood-style musical numbers will be disappointed, however, and so too I fear will EWP’s subscriber and fan base. Far more suited for a limited run at a Performing Arts Center specializing in eclectic music and dance, Navarasa Dance Theatre’s Encounter, while artfully designed and beautifully performed, failed to ignite this reviewer’s interest, its eighty-minute running time feeling considerably longer despite the talent involved.
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FISHING
Friday, August 31st, 2012
Playwright David J. Duman has taken his years of toiling in assorted San Francisco Bay Area restaurants and used them as food for laughter in Fishing, his sexy, spicy, fly-on-the-wall look at the staff and customers of a trendy seafood eatery, now getting its first Los Angeles production at Downtown L.A.’s Archway Studio/Theatre.
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ARE YOU THERE GOD? IT’S ME, KAREN CARPENTER
Saturday, August 18th, 2012
“Dear God, don’t let New Jersey be too horrible!” prays eleven-year-old Margaret Simon, brand new to the Garden State and worried—like any girl her age finding herself in a new city—about fitting in, making new friends, and the particular challenges of being on the cusp of young womanhood. Easing Margaret’s adjustment to Jersey life are her new best friends Nancy, Gretchen, and Janie, aka the PTSes (Preteen Sensations). As for those love dreams any preteen is likely to have at night, who better to inspire them than neighborhood heartthrob Moose Freed, the first glimpse of whom makes Margaret hear, not bells, but the intro to “(They Long to Be) Close to You,” so that before you know it, Margaret and Moose are duetting the Carpenters classic, mikes in hand?
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SPRING AWAKENING IN CONCERT
Sunday, July 22nd, 2012
Spring Awakening fans have new reason to rejoice. Just three months after an intimate staging of the 2006 Broadway smash ended its sold-out six-week Hollywood run, the Steven Sater-Duncan Sheik musical returns to Los Angeles for an all-too-brief two weekends a mere six miles away from its Hollywood venue, an all-around sensational “Spring Awakening In Concert” that easily rivals the best of Spring Awakenings before it.
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THE NEW ELECTRIC BALLROOM
Tuesday, June 19th, 2012NOT RECOMMENDED
When deciding whether to spend an hour and a half with a trio of loony Irish sisters in Enda Walsh’s The New Electric Ballroom, the latest production of the multiple award-winning Rogue Machine, you might want to ask yourself how important it is for you to understand what’s happening onstage when watching a play. How important is it for you that a story should unfold in some kind of recognizable reality? How willing are you to suspend disbelief, ignore confusion, and simply go with the flow?
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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