NO PLACE LIKE GANDERSHEIM

A terrific cast score plenty of laughs in No Place Like Gandersheim, Elizabeth Dement’s time-traveling screwball feminist farce, but the Skylight Theatre World Premiere tries too hard to do too much for it to work the way it should.
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A SOLDIER’S PLAY


Whodunnits don’t get any more edge-of-your-seat, and National Tours don’t get any more spectacular, than Roundabout Theatre Company’s Tony-winning revival of A Soldier’s Play, Charles Fuller’s eye-opening look at racism on a segregated WWII-era military base, now keeping audiences on the edge of their seats at the Ahmanson.
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ON THIS SIDE OF THE WORLD

The performances are sparkling, the melodies are tuneful, and the show’s heart is in the right place, but without a plot, dialog, or interconnected characters to keep an audience spellbound, a nearly two-and-a-half-hour running time is much too long for a song cycle like Paulo K Tiról and Noam Shapiro’s On This Side Of The World.
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JACK CRADDOCK IS HAVING A PARTY


Actor Harrison Harvey proves himself an accomplished first-time playwright with Jack Craddock Is Having A Party, an incisive, insightful look at three Millennials and a Zoomer, ninety real-time minutes that start out bright and breezy, then gradually darken as lies get exposed and secrets revealed.
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MOOSE ON THE LOOSE


A moose on the loose in an icy, snowy Northern Ontario town is all it takes for hilarity to ensue in Dina Morrone’s appropriately titled slice-of-immigrant-Italian-family-life Moose On The Loose, as laughter-and-love-packed a comedy as I’ve seen in ages.
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MIDNIGHT SCREENING


Take two or more complete strangers, trap them in a single location, and watch the fireworks fly. It’s a formula that worked for John Hughes in his 1985 classic The Breakfast Club and six years later in his not-so-classic Career Opportunities, and it’s a concept that proves every bit as effective at the Zephyr Theatre in Tim Schildberger’s World Premiere winner Midnight Screening.
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1776


Radical re-conception and revelatory re-casting add up to a revolutionary 21st-century take on Sherman Edwards and Peter Stone’s 1969 Broadway classic 1776 in the 2022 Broadway revival now thrilling audiences at the Ahmanson.
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BLUE


Award-winning L.A. stage star June Carryl proves herself a playwright to be reckoned with in Rogue Machine’s Blue, a ripped-from-today’s-headlines stunner now riveting audiences in the Matrix Theatre’s ultra-intimate Henry Murray Stage.
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