A VIEW FROM THE BRIDGE

Arthur Miller’s A View From The Bridge, this year’s Best Revival Tony winner, has arrived at the Ahmanson in a production likely to leave audience opinion split between “brilliantly innovative” and “pretentiously boring.” Though it took me a while to get there, I ended up veering towards the former point of view. Still, unless you’re lucky enough to be sitting either onstage (an option here) or up close (if you’ve got the bucks), the Ahmanson proves far too large a venue for a production as intimate as this one.
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MUTUAL PHILANTHROPY

Copiously consumed whisky and wine fuel a dinner party for four as playwright Karen Rizzo puts a personal face on the social divide between the super-wealthy and the other 99% of us Angelinos in her explosive dark comedy Mutual Philanthropy, now getting an excitingly acted World Premiere by Ensemble Studio Theatre/LA.
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PLEASE DON’T ASK ABOUT BECKET

Wendy Graf puts a personal face on the question of nature vs. nurture in Please Don’t Ask About Becket, the playwright’s latest family drama now getting an often compelling World Premiere guest production at The Sacred Fools Theatre Black Box.
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BABY DOLL

A just-right darkly comedic tone and pitch-perfect performances turn minor Tennessee Williams into major summer entertainment as the Fountain Theater gives West Coast audiences their first taste of Pierre Laville and Emily Mann’s streamlined, Williams-estate-approved adaptation of the 1956 movie potboiler Baby Doll.
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OBAMA-OLOGY

The months leading up to Barack Obama’s election as this country’s first African-American President serve as the backdrop for Aurin Squire’s semi-autobiographical Obama-ology, the 2015 Juilliard grad’s engaging look at a pivotal moment in our nation’s history as seen through one 20something black man’s eyes.
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ONE OF THE NICE ONES

Expect the unexpected—and then some—in Erik Patterson’s One Of The Nice Ones, an edge-of-your-seat dark comedy so filled with “I didn’t see that coming” twists that it’s almost impossible to review without revealing a spoiler or two, but I’ll do my best, while at the same time still providing a taste of the latest from one of L.A.’s most exciting contemporary playwrights now making his Echo Theater Company debut.
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CHURCH & STATE

A North Carolina senator’s “Road To Damascus” conversion from staunch 2nd Amendment advocate to gun control champion may sound about as improbable as Barbara Boxer suddenly turning pro-life, but it makes for powerful, thought-provoking comedy (that’s right, comedy) in Jason Odell Williams’ Church & State, now being given a sensationally acted and directed NNPN Rolling World Premiere* by Skylight Theatre Company.
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MAJOR BARBARA

Terrific performances spark Infinite Jest Theatre Company’s revival of George Bernard Shaw’s Major Barbara under Branda Lock’s assured direction. Sets and lighting may give the production a rather low-end look, but some particularly fine work by Samantha Barrios, William Reinbold, and Graciela Valderama (among others) make it worth your while to catch Shaw’s bitingly comedic, still relevant look at religion and war and wealth and poverty and morality in all their shades of gray.
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