INCITATION TO THE DANCE

An intriguing premise—sultry queer Millennial insinuates himself into the lives of a couple of gay married Boomers—falls flat in Theatre West’s overlong, overwrought, credibility-defying World Premiere melodrama Incitation to the Dance.
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THE CIRCLE

Issues of familia, cultura, and política come to a head over the course of one tumultuous weekend in Stacey Martino Romero’s powerful if overlong World Premiere dramedy The Circle, now playing at the Greenway Court Theatre.

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BROWNSTONE


The walls of a century-old Upper West Side apartment have much to talk about in Catherine Butterfield’s Brownstone, a trio of fascinating tales all taking place in a single residence but at three distinct periods of time.
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KID GLOVES


Reality TV competitions don’t get any more entertainingly cutthroat than the one theatergoers get to witness in Matthew Leavitt and Nathan Wang’s delightful new musical comedy Kids Gloves, now getting its World Premiere at the Skylight Theatre.
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HEISENBERG


Heisenberg, Simon Stephens’s odd-couple romcom with philosophical underpinnings, now makes for a fascinating and ultimately quite moving ninety minutes of intimate theater in Los Feliz under Cameron Watson’s inspired direction.
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A SLEIGHFUL OF SONGS


Over a half dozen Theatre West member and a bevy of special invited guests joined vocal talents for four performances only of A Sleighful Of Songs, and at the risk of repeating myself, like So Many Stars two Decembers ago, this was the most glorious seventy-five minutes of songs, songs, and more songs I’ve seen and heard all year.
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THE PRINCE OF EGYPT


Casa 0101 provides proof positive that last year’s The Hunchback Of Notre Dame was no fluke, the Boyle Heights theater company returning this holiday season with their impressively staged and performed take on Stephen Schwartz, Philip LaZebnik, and The Book of Exodus’s The Prince Of Egypt.
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POINTY SCISSORS

Things go from bad to worse and from hilarious to hilariouser when a nincompoop barber accidentally sticks a pair of pointy scissors into a customer’s ear and then hides the body in the barber shop storeroom in Clara Rodriguez’s nonstop fun fest Pointy Scissors, a Theatre West World Premiere.

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