SPRING AWAKENING


Director Tim Dang, choreographer Preston Mui, an all-around sensational cast, and a stunning production design make East West Players’ Spring Awakening a standout among the umpteen productions I’ve seen so far.
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BABY FOOT


Two addicts, one on her way out of rehab after 90 days sober, the other on his way in with a frighteningly drug-free 90-day challenge ahead of him, meet to electrifying effect in Baby Foot, Tim Venable’s gut-punchingly powerful, unexpectedly laugh-getting follow-up to last year’s stunning The Beautiful People at Rogue Machine Theatre.
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TACOS LA BROOKLYN


A 20something Korean-American taco stand owner finds himself on the receiving end of a Chicana influencer’s social media campaign against gentrification in Joel Ulloa’s hilarious, conversation-starting culture-clash comedy Tacos La Brooklyn, thrillingly staged at the Los Angeles Theatre Center by Latino Theater Company in association with East West Players.
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KILL SHELTER: THE RED CAST


A return visit to Theatre Of NOTE to catch the “Red Cast” in Ashley Rose Wellman’s Kill Shelter provides additional proof that (to quote from my original review) this is “not only one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.”
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HOW IT’S GON’ BE


A black teenager comes of age to both heartbreaking and heartwarming effect in JuCoby Johnson’s How It’s Gon’ Be, a dramatic stunner as universal as it is specific, and the latest must-see from Echo Theater Company.
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BLOOD AT THE ROOT


Headline-making real-life events propel Dominique Morisseau’s hot-button Blood At The Root, an Open Fist Theatre Company Los Angeles Premiere given electrifying theatricality by director Michael A. Shepperd, choreographer Yusuf Nasir, and a cast of gifted young up-and-comers.
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WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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