THE BAUHAUS PROJECT: BAUHAUS WEIMER

Over the past two decades, Tom Jacobson has established himself as one of L.A.’s most adventurous and original playwrights, creating such risk-taking winners as Bunbury, Ouroboros, The Twentieth Century Way, and his extraordinary Bimini Baths Trilogy. I can’t, unfortunately, add Bauhaus Weimer, Part One of his World Premiere triptych The Bauhaus Project, to that list.
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UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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THE SANDWICH MINISTRY

Performances could hardly be better, but 65 minutes isn’t nearly long enough for playwright Miranda Rose Hall to fully flesh out her three protagonists or the issues raised in The Sandwich Ministry, now nearing the end of its run at the Skylight Theatre.
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MY WHITE HUSBAND

Despite a promising setup, Leviticus Jelks’s My White Husband turns out to be an awkward mix of 1950s sitcom spoofery, marital discord dramatics, sex comedy raunch, network TV politics, and Black Lives Matter activism.
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MIX-MIX: THE FILIPINO ADVENTURES OF A GERMAN JEWISH BOY


Prolific Filipino-American playwright Boni B. Alvarez takes audiences on the most thrilling and danger-packed of WWII escapes in Mix-Mix: The Filipino Adventures of a German Jewish Boy, a fact-based action-adventure epic as vividly cinematic as it is imaginatively theatrical.
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TWO STOP


A Korean convenience store owner and a half-Black, half-Korean teen square off as the Los Angeles riots rage only blocks away in David Johann Kim’s you-are-there-on-the-edge-of-your-seat World Premiere drama Two Stop, the pulse-pounding latest from Ensemble Studio Theatre Los Angeles.
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PANG SPA


Chalk Repertory Theatre returns with its first fully-staged production since 2018’s Death And Cockroaches, an absolutely superb World Premiere staging of David Johann Kim’s mesmerizing Pang Spa.
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AMERICAN MARIACHI


A half-dozen years after its Old Globe world premiere, José Cruz González’s American Mariachi makes an endlessly entertaining Latino Theater Co. L.A. debut under under José Luis Valenzuela’s incisive direction at the Los Angeles Theatre Center.
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