CLUE


Audiences craving a cure for the summertime blues need look no further than Clue, eighty minutes of nonstop whodunit hilarity presented Live On Stage at the Ahmanson.
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INTO THE WOODS


There’s something particularly magical about Knot Free Productions’ intimate revival of Into The Woods at the Greenway Court Theatre, and as someone who’s seen 22 different live productions of the Stephen Sondheim and James Lapine classic, I know what I’m talking about.
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THE BAUHAUS PROJECT: BAUHAUS WEIMER

Over the past two decades, Tom Jacobson has established himself as one of L.A.’s most adventurous and original playwrights, creating such risk-taking winners as Bunbury, Ouroboros, The Twentieth Century Way, and his extraordinary Bimini Baths Trilogy. I can’t, unfortunately, add Bauhaus Weimer, Part One of his World Premiere triptych The Bauhaus Project, to that list.
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UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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THE SANDWICH MINISTRY

Performances could hardly be better, but 65 minutes isn’t nearly long enough for playwright Miranda Rose Hall to fully flesh out her three protagonists or the issues raised in The Sandwich Ministry, now nearing the end of its run at the Skylight Theatre.
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MY WHITE HUSBAND

Despite a promising setup, Leviticus Jelks’s My White Husband turns out to be an awkward mix of 1950s sitcom spoofery, marital discord dramatics, sex comedy raunch, network TV politics, and Black Lives Matter activism.
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MIX-MIX: THE FILIPINO ADVENTURES OF A GERMAN JEWISH BOY


Prolific Filipino-American playwright Boni B. Alvarez takes audiences on the most thrilling and danger-packed of WWII escapes in Mix-Mix: The Filipino Adventures of a German Jewish Boy, a fact-based action-adventure epic as vividly cinematic as it is imaginatively theatrical.
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TWO STOP


A Korean convenience store owner and a half-Black, half-Korean teen square off as the Los Angeles riots rage only blocks away in David Johann Kim’s you-are-there-on-the-edge-of-your-seat World Premiere drama Two Stop, the pulse-pounding latest from Ensemble Studio Theatre Los Angeles.
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