FLY ME TO THE SUN

Recent Carnegie Mellon grad Gerardo Navarro gives a charismatic, moving, star-making performance in Brian Quijada’s Fly Me To The Sun, but at the very least this Fountain Theatre West Coast Premiere could use some major pruning.
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ADOLESCENT SALVATION


A Tequila-fueled game of Truth or Dare yields unpredictable and life-changing consequences for the teenage protagonists of Adolescent Salvation, Tim Venable’s latest bit of play-writing brilliance on Rogue Machine’s ultra-intimate Henry Murray Stage.
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& JULIET


Romeo’s teenage bride gets a new lease on life in the West End-to-Broadway smash & Juliet, quite possibly the most hit-packed musical in Broadway history and one that now tops my list of favorite shows of the past ten years right up there with The Prom, Come From Away, and Dear Evan Hansen.
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SOME LIKE IT HOT


Not everybody things hot, but it’s hard to imagine any Broadway musical lover not being smitten by the quadruple-Tony-winning stage adaptation of the Billy Wilder movie classic Some Like It Hot now playing at the Hollywood Pantages, a song-and-dance-and-laugh-packed entertainment bonanza with an updated sensibility where race and gender are concerned.
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REEL TO REEL

Ever notice how the minutes can go by lickety-split or seem to move at a snail’s pace depending who you’re with? In the case of the octogenarian couple whose 55-plus-year relationship playwright John Kolvenbach has us spending an hour and a half with in his 2018 four-actor two-hander Reel To Reel, I found the latter to be the case.
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THE BRIDGES OF MADISON COUNTY

A pair of magnetic, gorgeously sung lead performances bring out the best in Jason Robert Brown and Marsha Norman’s The Bridges of Madison County. The makeshift production design it’s been given by Chromolume Theatre Company and some occasionally clunky staging not so much.

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YANKEE DAWG YOU DIE

Kelvin Han Yee and Daniel J. Kim are on fire in East West Players’ 37th-anniversary revival of Yankee Dawg You Die, Philip Kan Gotanda’s look at Asian-American representation on stage and screen, at how it has changed since the days of Anna May Wong and Sessue Hayakawa, and at the changes that remained to be made in 1988 … and still do in 2025.

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NICE GIRL


What’s a Nice Girl to do when she finds herself still living at home with her mother and rapidly approaching the age when singledom turns into spinsterhood? That’s the dilemma Jo faces in Melissa Ross’s tangy slice-of-1980s-life now captivating audiences on Rogue Machine’s uber-intimate Henry Murray Stage.
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