THE COLOR PURPLE

Sensational performances and an intimate theatrical setting make Greenway Arts Alliance’s The Color Purple an exciting addition to the L.A. holiday scene if not as spectacular a revival as the musical’s 2012 99-seat L.A. debut.
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VALLEY OF THE HEART

Epic in scope, educational in intent, and exquisite in design, Luis Valdez’s Valley Of The Heart examines America’s WWII internment of its Japanese-American citizens and their foreign-born family members in ways both familiar (the Broadway musical Allegiance played L.A. just ten months ago) and original (our narrator is Mexican-American). If only the Zoot Suit playwright proved more adept at creating authentic-sounding dialog. If only Valley Of The Heart didn’t so often feel like Wikipedia on stage.
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THE UNAUTHORIZED MUSICAL PARODY OF STRANGER THINGS

The talented team who spoofed Bridesmaids, Clueless, Jurassic Park, Hocus Pocus, and Home Alone to hilarious effect take satirical aim at Stranger Things, the latest of their Unauthorized Musical Parody series at Rockwell Table + Stage and one of UMPO’s best.
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AVENUE Q

Avenue Q proves an ideal showcase for ten terrifically talented Trojans, eight of whom are making their Musical Theatre Repertory debuts, as USC’s premier all-student musical theater company opens its 13th season with 2004’s Tony-winning grown-up take on a children’s TV classic.
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VIETGONE

Romantic comedy lovers are in for a treat as a couple of Vietnamese evacuees in an Arkansas refugee camp circa 1975 fall reluctantly in love in Qui Nguyen’s Vietgone, one of East West Players’ all-around best productions in years.
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BABY EYES

Playwright Donald Jolly takes us back to 1950s Baltimore via Ancient Greece in Baby Eyes, a Playwrights’ Arena World Premiere that scores points for ambitious intentions if not for its campy mix of ancient myth, Greek tragedy, ’50s melodrama, and men in drag.
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GLORIA

The office banter amongst the millennials who toil for a New Yorker-style magazine in Branden Jacobs-Jenkins’s Gloria may be catty, querulous, gossipy, back-stabbing, and hilarious as all get-out, but the 33-year-old playwright has far more than edgy cable sitcom humor on his mind in his 2015 off-Broadway hit, a ripped-from-today’s-headlines gut-puncher of an Echo Theater Company West Coast Premiere.
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SWANSONG

Australian powerhouse André de Vanny does tour-de-force work as a mentally and emotionally disabled young Irishman in Connor McDermottroe’s one-man play Swansong, a star turn almost as exhausting for de Vanny to perform as the Australian Theatre Company/Skylight Theatre Company West Coast premiere is to experience.
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