INDECENT

A gut-punching, all-too relevant look at Antisemitism, censorship, homophobia, anti-immigration hysteria, the Holocaust, and McCarthyism during the first half of the 20th Century, Paula Vogel’s Indecent is also a thought-provoking demonstration of the power of live theater to both inspire and inflame, and for Los Angeles theatergoers, a chance to see the production that scored director Rebecca Taichman a Tony win two years ago.
(read more)

SUCKER PUNCH

South London accents either too thick to be understood or virtually non-existent along with loads of British slang prove detrimental to Coeurage Theatre Company’s site-specific West Coast Premiere of Roy Williams’ Sucker Punch. So do view-blocking sight lines for certain audience members squeezed into the Tiger Boxing Gym just off Melrose.
(read more)

THE END OF BEAUTY

Musings on art and beauty serve as an intellectual prelude to a provocative look at a marriage in crisis in Cory Hinkle’s The End Of Beauty, the latest Playwrights’ Arena World Premiere.
(read more)

MAMA METAL

Playwright Sigrid Gilmer deals with a lifetime’s worth of mother-daughter issues in the most theatrically adventurous of ways in Mama Metal, the head-banging latest from IAMA Theatre Company.
(read more)

DANIEL’S HUSBAND

Daniel and Mitchell have been together for seven years. One of them wants to tie the knot. The other does not. And that’s about all you need to know before making a beeline for the Fountain Theatre to savor Michael McKeever’s laugh-out-loud-then-get-out-your-hankies stunner Daniel’s Husband.
(read more)

BRONCO BILLY THE MUSICAL

An heiress on the run finds an unexpected hideout and a unique new family of friends while being pursued by a gang of comic villains who can’t manage to shoot straight in the infectiously crowd-pleasing World Premiere musical Bronco Billy, quite possibly the most tuneful and entertaining L.A.-cast Broadway hopeful since Sister Act made its Pasadena Playhouse debut back in 2006.
(read more)

MAMMA MIA!

An all-POC cast (primarily Asian, significantly Filipino), inspired direction, electrifying choreography, and the most gorgeous of production designs breathe fresh new life into East West Players’ thrillingly trailblazing Mamma Mia!, the all-around best of the many MM!s I’ve seen.
(read more)

ANNA IN THE TROPICS

Life imitates art as Leo Tolstoy’s Anna Karenina inflames dormant passions amongst Cuban emigres in Nilo Cruz’s Pulitzer Prize-winning Anna Of The Tropics, an Open Fist Theatre Company triumph.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »