MASAO AND THE BRONZE NIGHTINGALE
Monday, May 2nd, 2022Playwrights Dan Kwong and Ruben Funkahuatl Guevara have quite a tale to tell about post-WWII Little Tokyo and Boyle Heights in Masao And The Bronze Nightingale and an ethnically, culturally, linguistically diverse cast of characters to tell it with, but the World Premiere play-with-songs’ hefty three-hour running time begs the question, how much of a good thing is too much?
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HADESTOWN
Friday, April 29th, 2022
Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
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LEGALLY BLONDE
Monday, April 25th, 2022Ragged around the edges but blessed with some terrific lead performances, Cupcake Theatre’s intimate revival of Broadway’s Legally Blonde would have me singing its praises even louder had the show not started thirty minutes late to accommodate walk-ins.
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BLUES FOR AN ALABAMA SKY
Saturday, April 16th, 2022
Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
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A CHORUS LINE
Monday, April 4th, 2022
The annual USC spring musical is back after a three-year hiatus with director Tim Dang and choreographer Cedric Dodd’s strikingly fresh take on A Chorus Line, a talent showcase for a couple dozen Trojan triple-threats on their way to the top.
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APARTMENT LIVING
Sunday, March 20th, 2022
Playwright Boni B. Alvarez takes us back to the early months of the pandemic in Apartment Living, the latest Playwrights’ Arena/Skylight Theatre Company World Premiere, and assuming you’re okay with reliving those days of apprehension and uncertainty, Alvarez’s latest offers an adeptly balanced mix of comedy and drama, laughter and fears performed by an all-around fabulous acting ensemble and featuring the most ingenious set design in town.
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IN THE NEXT ROOM (or the vibrator play)
Saturday, March 19th, 2022
Open Fist Theatre Company scores another hit with Sarah Ruhl,s In The Next Room (or the vibrator play), the sparklingly provocative, unexpectedly touching 2010 Best Play Tony nominee that gave the award-winning playwright her first Broadway credit.
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ON THE OTHER HAND WE’RE HAPPY
Monday, March 14th, 2022
On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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