KILL SHELTER: THE RED CAST


A return visit to Theatre Of NOTE to catch the “Red Cast” in Ashley Rose Wellman’s Kill Shelter provides additional proof that (to quote from my original review) this is “not only one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.”
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HOW IT’S GON’ BE


A black teenager comes of age to both heartbreaking and heartwarming effect in JuCoby Johnson’s How It’s Gon’ Be, a dramatic stunner as universal as it is specific, and the latest must-see from Echo Theater Company.
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BLOOD AT THE ROOT


Headline-making real-life events propel Dominique Morisseau’s hot-button Blood At The Root, an Open Fist Theatre Company Los Angeles Premiere given electrifying theatricality by director Michael A. Shepperd, choreographer Yusuf Nasir, and a cast of gifted young up-and-comers.
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WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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HUNGRY GHOST

A pregnant woman is visited nightly by the Stevie Nicks-loving adult ghost of her as yet unborn child in Hungry Ghost, Lisa Sanaye Dring’s surreal, supernatural head-scratcher of a play now getting its Skylight Theatre Company World Premiere.
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HEROES OF THE FOURTH TURNING


If the idea of spending two hours listening to Catholic conservatives inveigh against abortion, LGBT rights, and other left-wing causes sounds off-putting, think again.

There’s a reason why Will Arbery’s Heroes Of The Fourth Turning, now getting an absolutely sensational Rogue Machine Theatre Los Angeles Premiere, was a 2020 Pulitzer Prize Finalist for Drama. There’s a reason why the New York Times called it “astonishing and riveting.”
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PETER PAN GOES WRONG


The laughs keep coming and coming and coming as the mishaps keep piling up in Peter Pan Goes Wrong, the side-splittingest show to play the Ahmanson since The Play That Goes Wrong had audiences rolling in the aisles four years back.
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