MY WHITE HUSBAND

Despite a promising setup, Leviticus Jelks’s My White Husband turns out to be an awkward mix of 1950s sitcom spoofery, marital discord dramatics, sex comedy raunch, network TV politics, and Black Lives Matter activism.
(read more)

MIX-MIX: THE FILIPINO ADVENTURES OF A GERMAN JEWISH BOY


Prolific Filipino-American playwright Boni B. Alvarez takes audiences on the most thrilling and danger-packed of WWII escapes in Mix-Mix: The Filipino Adventures of a German Jewish Boy, a fact-based action-adventure epic as vividly cinematic as it is imaginatively theatrical.
(read more)

TWO STOP


A Korean convenience store owner and a half-Black, half-Korean teen square off as the Los Angeles riots rage only blocks away in David Johann Kim’s you-are-there-on-the-edge-of-your-seat World Premiere drama Two Stop, the pulse-pounding latest from Ensemble Studio Theatre Los Angeles.
(read more)

PANG SPA


Chalk Repertory Theatre returns with its first fully-staged production since 2018’s Death And Cockroaches, an absolutely superb World Premiere staging of David Johann Kim’s mesmerizing Pang Spa.
(read more)

AMERICAN MARIACHI


A half-dozen years after its Old Globe world premiere, José Cruz González’s American Mariachi makes an endlessly entertaining Latino Theater Co. L.A. debut under under José Luis Valenzuela’s incisive direction at the Los Angeles Theatre Center.
(read more)

H*TLER’S TASTERS


Playwright Michelle Kholos Brooks finds laughter even in the darkest of situations in her provocatively titled, fact-based H*tler’s Tasters, the latest uber-intimate “Upstairs at the Matrix” Rogue Machine hit.
(read more)

KAIROS


What starts off a meet-cute romcom ends up something a good deal more thought-provoking and profound in Kairos, Lisa Sanaye Dring’s intriguing examination of love, life, and the search for eternal youth, now getting a terrifically acted East West Players’ World Premiere.
(read more)

MONSTERS OF THE AMERICAN CINEMA


What starts out a sitcom-style two-hander about a precocious teen being reared by his late father’s gay black husband ends up something far darker and deeper and more powerful in Christian St. Croix’s Monsters Of The American Cinema, the latest in a string of world-class Rogue Machine winners.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »