THE PRICE

Arthur Miller was still going strong when The Price made its Broadway debut two decades after All My Sons and Death Of A Salesman made him a Broadway household name, and if his 1968 family drama isn’t in quite the same league as those two 20th-century masterpieces, it still makes for powerful, thought-provoking drama on the International City Theatre stage.
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CATCH ME IF YOU CAN

Teen con artist Frank Abagnale, Jr. is once again scamming his way across the country—but this time he’s doing it “Live In Living Color”—in Musical Theatre West’s pizzazzy spring offering Catch Me If You Can, the big-stage musical adaptation of Steven Spielberg’s popular 2002 biopic.
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LIFE COULD BE A DREAM

Doo Wop harmonies reign supreme out Long Beach way as International Theatre takes audiences on a tuneful trip down memory lane in Life Could Be A Dream, two delightful hours of late-1950s/early ‘60s nostalgia from Roger Bean.
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OLIVER!

Lionel Bart’s Oliver! is back in town in its first major L.A. production in over ten years and what a joy it is to re-experience (or to discover for the first time) Broadway’s Greatest Dickens Musical at Long Beach’s Musical Theatre West.
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PICK OF THE VINE 2019

Pick Of The Vine ups the quirky a bit too much in 2019, the main reason why, for this reviewer at least, only about half of Little Fish Theatre’s annual collection of “This Year’s Best Short Plays” hit the mark the way almost all of last year’s did.
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ELF THE MUSICAL

After taking the movies by storm in 2003 and winning Broadway’s heart seven years later, Buddy The Elf has traveled by iceberg to Long Beach to offer Musical Theatre West audiences the season’s most delightful musical treat for grown-ups and kids alike.
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A SPLINTERED SOUL

World War II Holocaust survivors and Los Angeles theater audiences deserve far better than the preposterously plotted 1940s B-movie melodramatics of Long Beach playwright Alan L. Brooks’ A Splintered Soul, a major misfire from the almost always stellar International City Theatre.
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BRIGHT STAR

Gorgeous bluegrass melodies, a leading lady’s incandescent star turn, all-around terrific supporting performances, ingenious staging, and a plot straight out of a 1930s/40s Hollywood weeper will have you crying joyful tears that Musical Theatre West has made Steve Martin and Edie Brickell’s Bright Star its 66th season opener.
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