FRUITION

If dystopian thrillers are your thing, you may buy into the post-apocalyptic world imagined by Alexis DeLaRosa in Fruition, a Theatre Of NOTE World Premiere. If not, you’ll likely find yourself less enthralled by what DeLaRosa imagines in store for the USA as we know it.
(read more)

ORRY

Legendary Hollywood costume designer Orry-Kelly lives again (at his own funeral, no less) in Nick Hardcastle’s entertaining, informative Orry, now playing a limited engagement at West Hollywood’s Lee Strasberg Theatre.
(read more)

DEADLY

The Demon Doctor of West 63rd Street is bumping off victim after victim at the Broadwater Theatre in Vanessa Claire Stewart and Ryan Thomas Johnson’s deliciously horrorific Deadly, or as I like to call it, Murder Castle, the H.H. Holmes Musical.
(read more)

DRIVING WILDE

Though it goes haywire about halfway through, Driving Wilde, Jacqueline Wright’s trippy contemporary Americanized take on The Portrait Of Dorian Gray, is far from dull.
(read more)

DOPE QUEENS

Dope Queens, Grafton Doyle’s seamy dissection of the go-nowhere lives of three drug-addicted, fresh-out-of-prison LGBTQ street walkers (two of them gender non-conforming POCs and one a GWM) is not just a major downer, it’s an overwrought, all-over-the-place two-acter that overstays its welcome by at least half an hour.
(read more)

THE DIRECTION HOME

Tonally it’s all over the place and its lackluster title is unlikely to prove a box-office draw, but Greg Vie’s autobiographical The Direction Home works for the most part as a nostalgic, touching coming-of-age comedy set in WeHo only a few years before the music died.
(read more)

THREADS

Love … and the fragility of life … tie together Jeff Locker’s serio-comedic Threads, an evening of theatrical shorts that doubles as the 2019 Summer Showcase for seventeen talented professional actors studying at Anthony Meindl’s Actor Workshop.
(read more)

THE PRODUCERS

Leave it to Celebration Theatre to take a musical as mammoth as The Producers and scale it down to fit the LGBTQ company’s 47-seat Hollywood digs without losing an iota of its audience appeal. Indeed, the show still officially billed as “A New Mel Brooks Musical” may be even more exciting at Celebration in 2019 than when it made its 2001 Broadway debut.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »