BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
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PRETTY WOMAN THE MUSICAL

Pretty Woman The Musical has arrived at Hollywood’s Dolby Theatre for a three-week run, and if you love the 1990 movie it’s based on as much as I do, I can pretty much guarantee you’ll enjoy its Broadway adaptation. Just don’t expect the First National Tour’s leading lady to fill Julia Roberts’ thigh-high boots.
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COCK


A young man finds himself torn between two lovers, one male and one female, in Mike Bartlett’s provocative comedic four-hander Cock, one of the most impressively staged and performed productions I’ve seen at Hollywood Fringe since the festival was inaugurated back in 2010.
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THE EFFECT


Paul Rush delivers one of the most electrifying performances I’ve seen this past year opposite a captivating, compelling Jackie Jandrell in Sixty-Six Productions’ Los Angeles Premiere of Lucy Prebble’s The Effect.
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TOOTSIE


Michael Dorsey and his female alter ego Dorothy Michaels share the Dolby Theatre stage in Tootie, the Tony-winning 2019 Broadway adaptation of the 1982 movie smash, a musical comedy as classic in concept and construction as it is contemporary in its attitudes, casting, and execution.
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BUYER & CELLAR


Mike Millan and Barbra Streisand share the Broadwater Second Stage in Jonathan Tolins’ deliciously dishy Buyer & Cellar, Celebration Theatre’s long awaited return to live-and-in-person programming.
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CELESTIAL EVENTS


Nineteen IAMA Theatre Company members (five writers, two directors, and twelve actors) have joined creative forces to celebrate IAMA’s return to live-and-in-person productions with Celestial Events, an engaging, entertaining World Premiere takeoff on such star-studded Hollywood fare as Valentine’s Day and Crazy, Stupid, Love.
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MARVIN’S ROOM


It takes a gifted playwrights to find comedy in the darkest of scenarios and a talent-blessed theater company to bring these words to pitch-perfect life, which is why Actors Co-op’s long-awaited revival of Scott McPherson’s Marvin’s Room succeeds in evoking abundant laughter through well-earned tears, with an emphasis on the former.
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