NIMROD

Criminal Minds’ Kirsten Vangsness steals every scene she’s in as our 45th president seen through a farcical Shakespearean lens in Phinneas Kiyomura’s Nimrod, a wild and wacky Theatre of NOTE World Premiere that’s a bit too all over the place to truly hit the mark.
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COCK


One of 2022’s finest productions has returned to the Davidson/Valentini Theatre even more impressive than it was last June thanks to an exciting new cast addition, a more polished design, and the once again stunning contributions of its gifted young director and the three returning stars who once again dazzle in Mike Bartlett’s provocative tragicomedy Cock.
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THE DREAMER EXAMINES HIS PILLOW

Two very good lead performances are the best reasons to check out Girl Trip Productions’ take on John Patrick Shanley’s The Dreamer Examines His Pillow at the Broadwater Black Box despite a weak third link and the dubious addition of a pair of female “fauns” not in Shanley’s script.
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CHRISKIRKPATRICKMAS


Rapper-turned-movie star Marky Mark plays Angel Clarence to a former boy bander’s down-and-out George Bailey in Chriskirkpatrickmas, Alison Zatta and Valen Shore’s clever, tuneful, utterly winning mash-up of It’s A Wonderful Life, A Christmas Carol, and the international phenomenon that was *NSYNC.
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DADDY ISSUES

The laughs come fast and furious in David Goldyn’s over-the-top but very funny ’80s-sitcom-style gay family farce Daddy Issues, now getting its West Coast Premiere on Hollywood’s Theatre Row.
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JAGGED LITTLE PILL


A double album’s worth of Alanis Morissette’s Greatest Hits provide the plot-propelling dramatic soundtrack to Jagged Little Pill, the thrillingly of-the-moment Tony winner that redefines the oft-derided “jukebox musical” to stunning effect.
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BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
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PRETTY WOMAN THE MUSICAL

Pretty Woman The Musical has arrived at Hollywood’s Dolby Theatre for a three-week run, and if you love the 1990 movie it’s based on as much as I do, I can pretty much guarantee you’ll enjoy its Broadway adaptation. Just don’t expect the First National Tour’s leading lady to fill Julia Roberts’ thigh-high boots.
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