HE ASKED FOR IT
Sunday, June 21st, 2009
Freshly arrived in LaLa Land from Wyoming, aspiring actor Ted is working out on the treadmill at 24 Hour Fitness. Could the hunk doing cardio next to him possibly be gay? Perhaps a question or two might clear up any confusion. Ted: Do you like Madonna? Hunk: No. After a few more failed attempts to get the conversational ball rolling, the new guy in town plunges into his life story. “I never got that kind of radar thing you’re supposed to get,” the gaydar-challenged young actor explains. “You should try the Internet,” suggests the gym bunny, and when Ted plunges in and suggests maybe getting together, the studly object of his attention responds succinctly, “Sorry, but I don’t go out with guys I meet at the gym.”
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CABARET
Friday, June 19th, 2009
When Cabaret debuted on Broadway in 1966, its tale of star-crossed lovers in pre-WWII Berlin was dark stuff for New York audiences accustomed to considerably brighter shows like Hello Dolly, She Loves Me, and Mame. Still, that first incarnation of Cabaret was positively sunny compared to the 1998 revival which has set the tone for just about every Cabaret since then. Imagine a Cabaret without “Mein Herr,” “Maybe This Time,” or “I Don’t Care Much,” without Kit Kat Boys, without any suggestion of homosexuality, one with upbeat love songs like “Why Should I Wake Up?” or the Yiddish ditty “Meeskite.” That was Cabaret pre-1998 and one which might be a bit of a yawn by contemporary standards.
THE SOMETHING-NOTHING
Wednesday, June 10th, 2009
Fielding Edlow’s The Something-Nothing is a hilarious, biting, highly original look at a 20something love triangle in pre-9/11 New York City.
ECSTASY: THE MUSICAL
Sunday, June 7th, 2009RECOMMENDED
“There was a girl who went to college. She was plain and shy. She was a stranger to love’s passion. She had a secret admiration for a certain guy, and she was ready for some action. One day she stumbled on a groovy place I’d like to share, where you can do whatever pleases. Ecstasy’s the name and I can take you there. It’s gonna bring you to your knees-es.”
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SETUP & PUNCH
Thursday, May 21st, 2009
Nine years following her acrimonious split from Brian, Vanya (nee Yvonne Patricia) takes pen to paper to write (yes, write, not email) her onetime creative partner with a request. “Dear Brian,” she writes. “I know I can’t make up with you but I hope we can be friends.”
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TRAFFICKING IN BROKEN HEARTS
Saturday, May 16th, 2009
Papo is a Puerto Rican hustler who’s been selling his body on the mean streets of early 1990s New York City since the age of fifteen. Brian is a 26-year-old gay virgin who frequents phone sex lines and adult bookstores, alternately craving and fearing his first sexual experience. Bobby is a 16-year-old runaway whose older brothers have been raping him daily since he was twelve.
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BIG THE MUSICAL
Friday, May 8th, 2009
Following its award-winning productions of Zanna, Don’t and Assassins, West Coast Ensemble continues its winning streak of musical hits with a sensational intimate staging of Big The Musical.
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THE CRUCIBLE
Sunday, May 3rd, 2009NOT RECOMMENDED
Arthur Miller’s The Crucible holds a special place in my heart. It gave me my very first experience as a stage actor at the age of 16, and though I later watched the 1996 film on video, it wasn’t until December 2007 that I saw The Crucible staged for the very first time, decades after high school, in a production that left me devastated, as the playwright certainly intended.
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