NAKED BOYS SINGING


It was just over ten years ago that theater-maker extraordinaire Robert Schrock was struck with quite possibly the most brilliant idea of his lifetime.  If nudity, particularly of the male variety, filled theater seats, why not create a show in which every single actor performs naked, and not just brief blink-and-you-miss it full frontal flashes, but for virtually the entirety of the production?  And since the gays love their musical theater more than just about any other genre, why not make this new show a musical revue?  Finally, why not make this a revue about nudity, so that the naked bodies would be integral to the show and not simply gratuitous? 
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F*CKING MEN


With a title like F*cking Men and the promise of full frontal male nudity, the latest Celebration Theatre production will have no problem attracting audiences. Joe DiPietro’s modern gay twist on Arthur Schnitzler’s 1900 classic La Ronde has been filling seats in London for the past two years and counting. What WeHo theatergoers will be getting, however, is much more than merely a sexually explicit title and some briefly viewed private parts. DiPietro’s play, particularly as directed here by the justly admired Calvin Remsberg, is a witty, perceptive, absolutely engrossing look at gay relationships, both sexual and romantic. F*cking Men says much about the way gay men meet and mate, but audiences of either sex or any sexual orientation are likely to recognize themselves in at least one of DiPietro’s diverse cast of characters.
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BLOCK NINE


If ever a production could be called unique, then Tom Stanczyk’s Block Nine is just that production.  Press materials describe it as “an unapologetically same-sex, retro-noir 1930s gangster homage” and “an exploration of sexuality, gender, stereotype, romance and aggression (in) an underworld full of guns, jail breaks, booze and bodies.” How’sthat for something out of the ordinary?
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SCHOOL FOR SUCKERS

RECOMMENDED
A quintet of 20something USC grads recall their journeys from childhood to adulthood in School For Suckers, an enjoyable program of five self-penned solo performances now playing mid-week at the Lillian.
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STEPHEN SCHWARTZ


Upright Cabaret’s Wicked Summer Nights came to a smashing conclusion with a star-studded tribute to mega-composer/lyricist Stephen Schwartz at Hollywood’s Ford Amphitheatre on Sunday, August 23, produced by power duo Chris Isaacson and Shane Scheel, and directed by Broadway’s sensational Billy Porter.
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LEGALLY BLONDE


Having conquered both Harvard Law School and Hollywood in the movie smash that made Reese Witherspoon an A-list star, Legally Blonde’s Elle Woods then went on to take Broadway by storm as the heroine of 2007’s Legally Blonde The Musical. Now, the not-so-dumb-blonde has arrived at Hollywood’s Pantages Theatre in a textbook example of how to turn a hit celluloid romcom into a nigh-on-perfect Broadway musical.
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LIFE COULD BE A DREAM


Looking for a great evening of musical nostalgia, romance, and laughter? Then travel back in time to the days of “Doo-Wop” in Roger Bean’s sure-to-be-a-smash new musical Life Could Be A Dream, just opened at the Hudson Mainstage Theatre.
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TWELFTH NIGHT

RECOMMENDED
The Classical Theatre Lab has returned to West Hollywood for their third consecutive summer of Shakespeare In The Parks with a well-acted and directed production of Twelfth Night Or What You Will.
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