WHO’S HOLIDAY

Cindy Lou Who is all grown up and peppering her rhyming couplets with enough 4-letter words to make a sailor blush as Anica Petrovic delivers the most dazzling of solo star turns in Matthew Lombardo’s Who’s Holiday at Hollywood’s Hobgoblin Playhouse.

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STEREOPHONIC


If you’ve ever wondered what it would have been like to be a fly on the wall when Fleetwood Mac spent seven tumultuous months recording Rumours, the next best thing to your wish has come true in David Adjmi’s multiple-Tony winning play à clef Stereophonic.
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SUFFS

Women’s History Month may not be until March but there are lessons to be learned in Suffs, Shaina Taub’s imperfect but educational and ultimately stirring double-Tony-winning musical about the women’s suffrage movement of the early 20th century.
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ALICE BY HEART


The off-Broadway critics got it right when they called Alice By Heart’s book muddled, but that didn’t bother me a bit last night, so captivated was I by the impressive production it has been given by MouthBone Theater Company.

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LE SWITCH


It’s love at first sight (but will there be a happily ever after?) for marriage-phobic David and the irresistible Quebecois he meets on a bachelor party trip to Montreal in Philip Dawkins’ very funny and very romantic Le Switch, now charming audiences at the Broadwater Blackbox.
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ONCE UPON A ONE MORE TIME

A heaping helping of music video-style dance numbers and over twenty of Britney Spears’ Greatest Hits go a long way towards keeping the audience at Jaxx Theatricals entertained for two and a half hours, but minus multi-million-dollar Broadway production values, Once Upon A One More Time’s book-related shortcomings are harder to ignore in its AEA Showcase Los Angeles Premiere.
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STRIPPED


The songs of Annie Lennox and The Eurythmics provide the musical soundtrack to Stripped, writer-director-choreographer Kelleia Sheerin’s seductively danced love letter to (and cautionary tale about) the City of Angels.
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SHUCKED


Corn is king in Brandy Clark, Shane McAnally, and Robert Horn’s Shucked, the most hee-haw-larious musical comedy Broadway has seen in years, and as tuneful and heart-filled and downright original as a feel-good musical can get.
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