DOGFIGHT

The production has its flaws, but Stella Mulroney and Zachary Santolaya deliver such rich and powerful performances as Rose and Eddie in Mouth Bone Productions’ Dogfight that I couldn’t help once again falling for the Louise Lortel Award-winning Outstanding Musical of 2012.
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THE LAST FIVE YEARS

A charismatic Sean Yves Lessard as best-selling novelist Jamie Wellerstein cannot overcome a miscast “Shiksa Goddess,” lackluster direction, and poor sound mixing in Chalomot Productions’ well-intentioned but largely unsuccessful revival of Jason Robert Brown’s The Last Five Years at the Hudson Backstage.
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MONTY PYTHON’S SPAMALOT


Monty Python’s Spamalot is back, and the Hollywood Pantages has got it, guaranteeing L.A. audiences not only the wildest, wackiest, and winningest of musical comedy rides but a spectacular new scenic design and even more flashy dancing than the 2005 Broadway original.
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THE DIGNITY CIRCLE


If someone offered you the chance to get rich quick and improve your self-esteem in the bargain, would you take it? That’s the question posed by playwright Lauren Smerkanich in The Dignity Circle, the provocative, entertaining latest from Theatre of NOTE.
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SIX


Never has a sextet of triple-threats delivered more 5-star Broadway pizzazz than the 6 wives of Henry VIII do in Six The Musical, now making its 2nd appearance at the Hollywood Pantages Theatre, back in 2026 for a must-see 3-week run.
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THE TYPIST


A jaded novelist and the cockeyed optimist he hires to type his latest opus try hard not to fall hard for each other in 1961 Greenwich Village in Shem Bitterman’s edgy and entertaining World Premiere two-hander The Typist, now playing at the Hudson Guild Theatre.
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THE NOTEBOOK THE MUSICAL


Exquisitely staged and performed, the best-selling novel-turned-movie blockbuster-turned Broadway crowd-pleaser The Notebook The Musical, now visiting the Pantages, is the most unabashedly romantic musical since The Bridges Of Madison County, not coincidentally another Nicholas Sparks novel-turned-Hollywood blockbuster, and I loved every gloriously sung and heartstrings-tugging moment of it.
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A VERY DIE HARD CHRISTMAS

The tenth incarnation of Theatre Unleashed’s A Very Die Hard Christmas, Josh Carson’s deliciously clever spoof of the Bruce Willis megasmash as seen through a Saturday Night Live lens (with puppets and songs thrown in for hilarious measure), may lack the production design pluses of its earlier North Hollywood incarnations, but the laughs keep coming fast and furious at Hollywood’s Hobgoblin Playhouse as part of this year’s Frosty Fest.
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