SHANGHAI MOON


Those who adhere to strict standards of political correctness should not, I repeat NOT see Shanghai Moon, Charles Busch’s spoof of the “Oriental” melodramas of Hollywood’s Golden Era.  All others will have a devilishly good time reliving the forbidden passions of such “classics” as Lady From Chungking, Daughter Of Shanghai, King Of Chinatown, Shanghai Express, and Daughter Of The Dragon, all of them starring the immortal Anna May Wong. After all, as the program cover states, “There is enchantment when East meets West under the Shanghai Moon.”
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THE MOST HAPPY FELLA


Musical Theatre Guild once again astounds with their “Concert Staged Reading” of Frank Loesser’s 1956 Broadway musical drama The Most Happy Fella, their most vocally challenging project since Elmer Rice-Kurt Weill-Langston Hughes’ Street Scene nearly two years ago.
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CHARLES DICKENS’ OLIVER TWIST


Say the words Oliver Twist and the first thing that pops into mind may be a song—“Food Glorious Food,” “Where Is Love,” “You’ve Got To Pick A Pocket Or Two,” “Who Will Buy”…  Lionel Bart’s songs are so inextricably linked to Charles Dickens’ original story that it’s hard to imagine an Oliver Twist without them, yet British writer-director Neil Bartlett has dared to do so in his 2004 adaptation (“in twenty-four scenes with several songs and tableaux”) entitled Charles Dickens’ Oliver Twist, now getting a magical L.A. premiere at A Noise Within.
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SIX DANCE LESSONS IN SIX WEEKS


Prim and proper uptight elderly Southern belle meets free-spirited foul-mouthed gay jokester for Six Dance Lessons In Six Weeks in Richard Alfieri’s touching Broadway comedy, now getting a spiffy revival at Burbank’s Falcon Theatre.

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MARY’S WEDDING

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It is 1920 and the night before Mary’s wedding.  Dreams take her back several years to the night of a thunderstorm, the night when the young Englishwoman first set eyes on Charlie, a strapping young Canadian farmer and horseman, and the love of her life.
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LOVE’S OLD SWEET SONG


The Syzygy Theatre Group joins in the International Centennial Celebration of William Saroyan with an captivating production of one of the Armenian-American writer’s lesser known works, 1940’s Love’s Old Sweet Song. Like Saroyan’s The Human Comedy, Love’s Old Sweet song is both sentimental and idealistic, and all the more wonderful for being so. Like the screwball comedies of Preston Sturges and Howard Hawks, it involves mistaken identities, culture clashes between haves and have-nots, some fast-talking, witty repartee, and ridiculous, farcical situations. It is this blend of the screwball and the sentimental that makes Love’s Old Sweet Song such a magical piece of theater.
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THE RAINMAKER


There aren’t many plays from the 1950s that hold up as well as L. Richard Nash’s 1954 folksy romance The Rainmaker. Not only does The Rainmaker not seem dated, it’s as funny and heartwarming as any play being premiered today, and despite its 1950s Midwest setting, it might as well be taking place somewhere in middle America circa 2008. As the second production of A Noise Within’s “Season Of Awakenings,” The Rainmaker is sure to charm audiences of all ages.
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HAMLET


Michael Michetti + Hamlet @ A Noise Within = A sure-to-be-talked-about event.
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