KISS OF THE SPIDER WOMAN


When the folks at Musical Theatre Guild were planning their 2008-2009 season of rarely performed Broadway musicals, it probably didn’t occur to anyone that their one-night-only revival of Kiss Of The Spider Woman would come only months after L.A.’s first fully staged production of Kiss since Chita Rivera and the National Tour played at the Ahmanson in 1996.  Havok’s production (which featured many MTG performers, and which many felt surpassed the Tour in excellence) would indeed be a hard act to follow.  There was no way a “concert staged reading” could match Havok’s design elements or the complexity of the many production numbers which recently won Lee Martino the LADCC Award for Best Choreography. MTG’s readings are, after all, presented with minimal sets and lighting, and few if any costume changes, and the entire show is allowed only 25 hours rehearsal time per Actor’s Equity rules. On the other hand, what MTG could and did offer Monday’s audience at Glendale’s Alex Theatre was a whole bunch of superb performances, and a chance to go back to the basics of Terrence McNally’s book, John Kander’s music, and Fred Ebb’s lyrics. The result, I’m happy to say, was an absolute triumph.
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HERE LIES JEREMY TROY


About 25 years ago, a young thespian named Tim Dietlein read a 1965 comedy called Here Lies Jeremy Troy and said to himself, “That’s a show I’d like to do someday.”  Now, in 2009, Dietlein’s dream has come true in a laugh-out-loud hilarious production of playwright Jack Sharkey’s “forgotten gem.” 
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GHOSTS


The world hasn’t changed all that much in the 127 years since Henrik Ibsen’s play Ghosts was first performed. As the recent election proved, there are still people who point the finger of condemnation at those who break what they call God’s rules and those with a more humanistic point of view.
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EVERYBODY SAY “CHEESE!”


In his funny and touching World Premiere comedy Everybody Say “Cheese!”, Garry Marshall takes an affectionate look back at the mid-1960s, a time of discovery for women and confusion for men, a time when the “fairer sex” discovered as if overnight that no, a woman’s place wasn’t always in the home. Feminists like Betty Friedan were spreading the message that women could be anything they wanted to be, and housewives like Harriet Keenan were listening.
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THE TAMING OF THE SHREW


Director Geoff Elliott re-envisions Shakespeare’s The Taming Of The Shrew as a 1950s movie set in Italy and succeeds at the challenge with flying colors, making A Noise Within’s production a veritable treat for Shakespeare lovers and classic film buffs alike.
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THE SCARLET PIMPERNEL


Long before Bruce Wayne concocted a secret identity for himself in order to fight evil and wrongdoers as Batman, an 18th Century English baronet named Sir Percy Blakeney disguised himself as The Scarlet Pimpernel. His goal—to rescue French aristocrats from the blade of the dreaded guillotine.
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FINIAN’S RAINBOW

RECOMMENDED
Brigadoon and Finian’s Rainbow both opened on Broadway in 1947.  Both had successful runs, Brigadoon playing 581 performances, Finian’s Rainbow beating it with 725.  Both were jam packed with hit songs.  From Brigadoon, you’ve probably heard the title song, Almost Like Being In Love, Come To Me, Bend to Me, and The Heather on the Hill. Finian’s Rainbow hits include How Are Things in Glocca Morra?, Look to the Rainbow, Old Devil Moon, and If This Isn’t Love.  Both shows featured Irish lead characters, and each became a major movie musical, Brigadoon starring Gene Kelly and Finian’s Rainbow starring Fred Astaire.  Broadway musicals don’t have better credits than these.

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SURVIVING SEX

RECOMMENDED
David Landsberg’s Surviving Sex is a frequently funny (albeit almost totally implausible) look at men’s and women’s relationships seen through the eyes of the nebbish-next-door, aka Stan.
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