THE HOTHOUSE
Saturday, January 27th, 2018
The nuts are running the nuthouse in the darkly comedic, rarely performed Harold Pinter gem that is the latest from Antaeus Theatre Company, written when Pinter was a mere twenty-seven but shelved till he turned fifty, and perhaps more than any other partner-cast Antaeus gem before it, one that truly merits a second visit.
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BAREFOOT IN THE PARK
Monday, January 8th, 2018
Newlyweds Corrie and Paul Bratter may have moved into their sixth-floor New York City walkup some fifty-five years ago but their story remains as fresh and delightful as it was when Neil Simon first introduced Broadway audiences to Barefoot In The Park back in 1963 in Glendale Centre Theatre pitch-perfect New Year’s 2018 revival.
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HOW THE PRINCH STOLE CHRISTMAS
Wednesday, December 27th, 2017A triple-threat-tastic cast give the holiday-season-musical-spoofing Troubies’ How The Princh Stole Christmas their multitalented all (and the Prince catalog gives them plenty of hits to rock to), but with only a handful of recognizable characters and the thinnest of plots to satirize, the latest from the Troubadour Theatre Company falls short of the brilliance of previous Troubies greats.
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DRIVING MISS DAISY
Saturday, November 25th, 2017
A revelatory Donna Mills lights up the Colony Theatre stage as the title character in Driving Miss Daisy, Alfred Uhry’s Pulitzer Prize-winning look back in time at an aging Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
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LES LIAISONS DANGEREUSES
Saturday, October 28th, 2017
Decadence and deception prove downright delicious in The Antaeus Theatre Company’s pitch-perfectly partner-cast Les Liaisons Dangereuses, Christopher Hampton’s 1985 stage adaptation of the 18th-century French literary classic directed with supreme flair by Robin Larsen.
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SUGAR
Monday, September 25th, 2017
Characters made famous in Billy Wilder’s Some Like It Hot, songs by Jule Styne and Bob Merrill of Funny Girl fame, a couple of men in drag, all-around terrific performances, and one particularly inspired bit of casting turned Sunday’s concert staged reading of the 1972 Broadway hit Sugar into another one-performance-only Musical Theatre Guild concert staged reading delight.
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MASTER CLASS
Saturday, September 23rd, 2017
Carolyn Hennesy gives one of the year’s most dazzling performances as the legendary Maria Callas in the virtual one-woman-show that is Terrence McNally’s Master Class, the inaugural season opener of the newly rechristened, spiffily refurbished Garry Marshall Theatre.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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