WEST SIDE STORY

Glendale Centre Theatre presents West Side Story as you may never have seen it before–up close and in the round. Terrific lead and supporting performances guarantee GCT yet another hit, and whenever the production’s top-drawer dance ensemble launch into one of Jerome Robbins’s iconic dance numbers as adapted by Orlando Alexander, the show takes particularly high flight.
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NATIVE SON

Lead performances are powerhouse and production design one of the year’s most electrifying, but Richard Wright’s 20th-century classic Native Son is ill-served at Antaeus Theatre Company by Nambi E. Kelley’s 21st-century stage adaptation’s temporal zigzags, sledgehammer approach to issues of race, and the addition of a “character” not found in the original novel.
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THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

A ragtag team of pint-sized spellers make musical theater magic at Burbank’s Grove Theatre Center as Domino One productions debuts its imaginatively directed and choreographed, delightfully performed intimate staging of the 2005 Broadway hit The 25th Annual Putnam County Spelling Bee.
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LAUGHTER ON THE 23RD FLOOR

Neil Simon takes us back to 1953 when Sid Caesar’s Your Show Of Shows ruled the airwaves in Laughter On The 23rd Floor, his 1993 Broadway valentine to TV’s early years now getting a sensationally directed and performed Toluca Lake revival at The Garry Marshall Theatre.
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UNEMPLOYED ELEPHANTS – A LOVE STORY

Playwright Wendy Graf proves herself as adept at the romcom two-hander as she is at her dark, dramatic solo pieces in Unemployed Elephants – A Love Story, a Victory Theatre World Premiere sparked by Maria Gobetti’s deft direction and a couple of couldn’t-be-better leads.
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HIGH SOCIETY

The Philadelphia Story meets Cole Porter in the rarely-produced High Society, and though hardly one of Broadway’s Greatest Hits, its one-night-only Alex Theatre revival once again proved Musical Theatre Guild a master of the concert staged reading.
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THE HOTHOUSE

The nuts are running the nuthouse in the darkly comedic, rarely performed Harold Pinter gem that is the latest from Antaeus Theatre Company, written when Pinter was a mere twenty-seven but shelved till he turned fifty, and perhaps more than any other partner-cast Antaeus gem before it, one that truly merits a second visit.
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BAREFOOT IN THE PARK

Newlyweds Corrie and Paul Bratter may have moved into their sixth-floor New York City walkup some fifty-five years ago but their story remains as fresh and delightful as it was when Neil Simon first introduced Broadway audiences to Barefoot In The Park back in 1963 in Glendale Centre Theatre pitch-perfect New Year’s 2018 revival.
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