THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

A ragtag team of pint-sized spellers make musical theater magic at Burbank’s Grove Theatre Center as Domino One productions debuts its imaginatively directed and choreographed, delightfully performed intimate staging of the 2005 Broadway hit The 25th Annual Putnam County Spelling Bee.
(read more)

LAUGHTER ON THE 23RD FLOOR

Neil Simon takes us back to 1953 when Sid Caesar’s Your Show Of Shows ruled the airwaves in Laughter On The 23rd Floor, his 1993 Broadway valentine to TV’s early years now getting a sensationally directed and performed Toluca Lake revival at The Garry Marshall Theatre.
(read more)

UNEMPLOYED ELEPHANTS – A LOVE STORY

Playwright Wendy Graf proves herself as adept at the romcom two-hander as she is at her dark, dramatic solo pieces in Unemployed Elephants – A Love Story, a Victory Theatre World Premiere sparked by Maria Gobetti’s deft direction and a couple of couldn’t-be-better leads.
(read more)

HIGH SOCIETY

The Philadelphia Story meets Cole Porter in the rarely-produced High Society, and though hardly one of Broadway’s Greatest Hits, its one-night-only Alex Theatre revival once again proved Musical Theatre Guild a master of the concert staged reading.
(read more)

THE HOTHOUSE

The nuts are running the nuthouse in the darkly comedic, rarely performed Harold Pinter gem that is the latest from Antaeus Theatre Company, written when Pinter was a mere twenty-seven but shelved till he turned fifty, and perhaps more than any other partner-cast Antaeus gem before it, one that truly merits a second visit.
(read more)

BAREFOOT IN THE PARK

Newlyweds Corrie and Paul Bratter may have moved into their sixth-floor New York City walkup some fifty-five years ago but their story remains as fresh and delightful as it was when Neil Simon first introduced Broadway audiences to Barefoot In The Park back in 1963 in Glendale Centre Theatre pitch-perfect New Year’s 2018 revival.
(read more)

HOW THE PRINCH STOLE CHRISTMAS

A triple-threat-tastic cast give the holiday-season-musical-spoofing Troubies’ How The Princh Stole Christmas their multitalented all (and the Prince catalog gives them plenty of hits to rock to), but with only a handful of recognizable characters and the thinnest of plots to satirize, the latest from the Troubadour Theatre Company falls short of the brilliance of previous Troubies greats.
(read more)

DRIVING MISS DAISY

A revelatory Donna Mills lights up the Colony Theatre stage as the title character in Driving Miss Daisy, Alfred Uhry’s Pulitzer Prize-winning look back in time at an aging Southern Jewish widow and the African-American driver foisted upon her by her adult son in the years just preceding the Civil Rights Movement.
(read more)

« Older Entries Newer Entries » « Older Entries Newer Entries »