THE COLUMBINE PROJECT
Sunday, May 1st, 2011
Few L.A. theater projects have had quite the success (or the journey) of The Columbine Project, Paul Storiale’s meticulously researched docudrama about the Columbine High School massacre of 1999. World premiering in April of 2009 at the 48-seat Avery Schreiber Theatre in North Hollywood, The Columbine Project was extended twice before transferring to off-Broadway with unprecedented swiftness (and with the entire L.A. cast intact). Its July through October New York run at the Actors Temple Theatre was praised by the prestigious New Yorker magazine as a production which “fills the tiny, funky theatre with talent and gravity.” In December of the same year, the original North Hollywood production was awarded five ADA (Artistic Director Achievement) Awards including a Best Director award for its creator/writer/director Paul Storiale.
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HOW TO DISAPPEAR COMPLETELY AND NEVER BE FOUND
Sunday, May 1st, 2011NOT RECOMMENDED
Theatre @ Boston Court’s Southern California Premiere of Fin Kennedy’s How To Disappear Completely And Never Be Found has so much going for it, I wish I could say I enjoyed it more. Performances are superb, beginning with a tour de force star turn by Brad Culver. Direction by Nancy Keystone is imaginative and even inspired at times. Design elements, particularly John Zalewski’s striking sound design, are way up at the level of excellence theatergoers have come to expect @ Boston Court. The play was the first ever to win the prestigious John Whiting Award before being staged. British critics were ecstatic at the play’s World Premiere and I expect the Boston Court production will garner equal praise. And yet I failed to be engaged by its story or characters and in the end (and this is something I rarely say), I would have been happier accepting a different press invitation this past Sunday afternoon.
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I NEVER SANG FOR MY FATHER
Friday, April 29th, 2011
As long as there are parents and children and their accompanying relationship ups-and-downs, Robert Anderson’s I Never Sang For My Father will remain every bit as relevant to our times as the latest World Premiere drama. For proof positive, do not fail to catch The New American Theatre’s superb revival at the McCadden Place Theatre.
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HOUSE OF THE RISING SON
Thursday, April 28th, 2011
“There is a house in New Orleans
They call the Rising Sun
And it’s been the ruin of many a poor boy
And God I know I’m one”
The New Orleans mansion Trent Varro shares with his father Garrett and grandfather Bowen may indeed prove the ruin of Felix Martin, or so it would seem when the young Angelino catches sight of the shocking tableau which ends Act One of Tom Jacobson’s World Premiere drama House Of The Rising Son. (No, the last word isn’t misspelled.)
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THE CHINESE MASSACRE: ANNOTATED
Friday, April 22nd, 2011
Late 19th century Los Angeles history comes to vivid, complex, highly theatrical life in The Chinese Massacre (Annotated), award-winning playwright Tom Jacobson’s latest World Premiere, and once again (as with Jacobson’s Ouroboros, Bunbury, and The Twentieth Century Way), audiences are in for something special indeed.
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CHERRY SMOKE
Wednesday, April 20th, 2011
The going-nowhere existences of a quartet of 20somethings living in an unemployment-plagued Donora, Pennsylvania are brought to painfully vivid life by playwright James McManus in his award-winning Cherry Smoke, now getting a first-rate West Coast Premiere by the brand new Lucky Mellon Collective, an exciting addition to the Los Angeles theater scene.
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THE ECCENTRICITIES OF A NIGHTINGALE
Sunday, April 17th, 2011
“The thing for you to give up is your affectations, your little put-on mannerisms that make you seem, well, slightly peculiar to people. You express yourself in fantastic high-flown phrases. Your hands fly about you like a pair of wild birds! You get out of breath, you stammer, you laugh hysterically and clutch at your throat.”
–Reverend Winemiller, The Eccentricities Of A Nightingale
It can’t have been easy for Tennessee Williams growing up gay in the South in the early 20th Century, and the above-quoted advice could easily have been given to him by a well-meaning father unaware of the hurt his words could inflict. In fact, words like these are probably still being heard, even in 2011, by gay youths whose outcast status leaves them very little faith that it will ever (in the words of a spate of recent YouTube videos) “get better.”
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THE TEMPERAMENTALS
Friday, April 15th, 2011
Wikipedia calls the 1969 Stonewall riots “the first instance in American history when people in the homosexual community fought back against a government-sponsored system that persecuted sexual minorities” and “the defining event that marked the start of the gay rights movement in the United States and around the world.”
Sorry Wikipedia, but you’ve got it wrong. The movement for gay rights actually began about two decades earlier right here in Los Angeles, the brainchild of a man named Harry Hay, and Jon Marans’ The Temperamentals sets the record straight (or gay, if you wish).
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