TIME STANDS STILL
Saturday, August 9th, 2014RECOMMENDED
A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, now being given a mostly satisfying production at San Pedro’s Little Fish Theatre under Patrick Vest’s solid direction.
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ONE IN THE CHAMBER
Monday, August 4th, 2014
Playwright Marja-Lewis Ryan focuses an up-close-and-personal lens on the epidemic of gun violence plaguing our country in her World Premiere drama One In The Chamber, one of the most powerful new plays I’ve seen in a good long while, and as superbly acted a production as any writer/director could possibly wish for.
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IN A DARK DARK HOUSE
Sunday, July 27th, 2014NOT RECOMMENDED
It’s rare than a single performance can sink an otherwise mostly fine production, but such is the case in the Los Angeles Premiere of Neil LaBute’s In A Dark Dark House, a play consisting of three extended two-actor scenes revolving around a central character who only departs the stage during set changes. Unfortunately, since Aaron McPherson is not up to the challenges of bringing Terry to real, three-dimensional life, In A Dark Dark House fails to get the Matrix Theatre Guest Production it deserves.
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ANDRONICUS
Saturday, July 26th, 2014
”14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism” is how critic S. Mark Hulse sums up William Shakespeare’s vengeance-fueled Titus Andronicus, and Coeurage Theatre Company gives us each and every one of the above in a mere two hours (including intermission) in Jeremy Lelliott’s exhilarating new adaptation of Shakespeare’s contribution to the “revenge play” genre, redubbed Andronicus to befit this leaner, zippier incarnation of the 16th-Century classic.
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FLIM FLAM: HOUDINI AND THE HEREAFTER
Sunday, July 6th, 2014
“Spiritualism” may not be the first word to spring to mind when master illusionist/escape artist Harry Houdini and Sherlock Holmes/Dr. Watson-creator Sir Arthur Conan Doyle are mentioned, but it is precisely this fascinating but lesser-known aspect of the two men’s lives on which playwright Gene Franklin Smith has based his World Premiere drama Flim Flam: Houdini And The Hereafter, now entertaining and elucidating audiences at Malibu Playhouse.
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THE CURSE OF OEDIPUS
Saturday, July 5th, 2014
Spending time with the Ancients has rarely if ever been as exhilarating as it is in Kenneth Cavander’s The Curse Of Oedipus, an Antaeus Company World Premiere which proves that even the deadly dullest of theatrical genres, Greek Tragedy, can end up the opposite of boring when given fresh new life by the right creative team.
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FLOWER DUET
Sunday, June 22nd, 2014
Marriage is “till death do us part”—except when it isn’t—or so Max and Stephanie and Sandy and Maddie discover in Maura Campbell’s provocative Flower Duet, now getting its West Coast Premiere at North Hollywood’s Road Theatre following a 2010 World Premiere in Burlington, Vermont.
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CAT ON A HOT TIN ROOF
Saturday, June 21st, 2014RECOMMENDED
A pair of sensational performances by Sienna Farall as Maggie and Brian Robert Harris as Big Daddy elevate Theatre Palisades’ revival of Tennessee Williams Cat On A Hot Tin Roof above standard community theater fare.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.


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