END OF THE RAINBOW
Friday, February 27th, 2015
The facts behind Judy Garland’s death on June 22, 1969 are a matter of public record. Several months after a five-week stint at London’s trendy Talk of the Town, the legendary screen/recording star was found dead at the age of 47 by fifth husband Mickey Deans in the bathroom of their rented Chelsea house, the cause of death “an incautious self-overdosage” of barbiturates.
Peter Quilter’s critically acclaimed End Of The Rainbow, now playing at Long Beach’s International City Theatre, lets us be flies on the walls of Judy and Mickey’s London hotel (and of the London nightclub as well) during that much talked about Talk Of The Town run, and a humdinger of a play and production this is under John Henry Davis’ incisive direction.
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THE OTHER PLACE
Sunday, February 22nd, 2015
Trust nothing you see or hear until about halfway through the riveting, complex puzzle that is Sharr White’s The Other Place, now getting its first Los Angeles production, and a superb one at that, at North Hollywood’s 99-seat-plan Road Theatre.
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THE WHIPPING MAN
Wednesday, February 4th, 2015
On April 9, 1865, General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House, at long last ending what is still the deadliest war in United States history. Five days later, President Abraham Lincoln was dead, the victim of an assassin’s bullet. Coincidentally, during this fateful week in our country’s history, Jews in both North and South observed Pesach, the festival of Passover, celebrating the freeing of the Israelites from centuries of slavery in Egypt.
Inspired by this bit of historical happenstance, and armed with the knowledge that there were indeed Jewish slaveholders (and Jewish slaves) in the pre-Civil War Deep South, playwright Matthew Lopez sat down to write The Whipping Man, a gripping, eye-opening look at three Jews—two black, one white—in the days just following Appomattox, a play now brought to compelling life in a spectacular new production just transferred from South Coast Rep to the Pasadena Playhouse.
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THE MISSING PAGES OF LEWIS CARROLL
Sunday, February 1st, 2015
Playwright Lily Blau speculates on one of the most controversial real-life relationships in literary history—that of the then 31-year-old Charles Dotson, better known as Lewis Carroll, and Alice Liddell, the 11-year-old inspiration for Carroll’s Alice’s Adventures In Wonderland—in her provocative new play The Missing Pages Of Lewis Carroll, now getting a superbly acted and directed (and gorgeous-to-look-at) World Premiere at Pasadena’s The Theater @ Boston Court.
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REBORNING
Friday, January 30th, 2015
The Fountain Theatre gives Zayd Dohrn’s powerful personal drama Reborning a Los Angeles Premiere that easily rivals those productions that have scored the Fountain more Ovation Award nominations and wins than any other intimate L.A. theater.
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TIME STANDS STILL
Sunday, January 25th, 2015
A wounded photo-journalist’s return home from the war zone proves even more challenging than a life lived on the edge in Donald Margulies’ intelligent, perceptive, often funny, always compelling Time Stands Still, back in town now in a production every bit the outstanding equal of Aquila Morong Studio’s previous intimate revivals of Proof and Crimes Of The Heart.
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PROOF
Saturday, January 17th, 2015
How many plays can you name that have won the Drama Desk Award for Best New Play, the Lucille Lortel Award for Outstanding Play, the Tony and New York Drama Critics’ Circle Awards for Best Play, and the Pulitzer Prize for Drama?
David Auburn’s Proof is that rarity, a major prize-winner now making a welcome return to Los Angeles in an impeccably directed intimate production by Moth Theatre’s John Markland, ingeniously designed by Justin Huen and sensationally performed by Amanda Brooks, Chris Marquette, Felicity Price, and John Cirigilano, a foursome any major American theater would be thrilled to have grace their stage.
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THE WHIPPING MAN
Wednesday, January 14th, 2015
On April 9, 1865, General Robert E. Lee surrendered to General Ulysses S. Grant at the Appomattox Court House, at long last ending what is still the deadliest war in United States history. Five days later, President Abraham Lincoln was dead, the victim of an assassin’s bullet. Coincidentally, during this fateful week in our country’s history, Jews in both North and South observed Pesach, the festival of Passover, celebrating the freeing of the Israelites from centuries of slavery in Egypt.
Inspired by this bit of historical happenstance, and armed with the knowledge that there were indeed Jewish slaveholders (and Jewish slaves) in the pre-Civil War Deep South, playwright Matthew Lopez sat down to write The Whipping Man, a gripping, eye-opening look at three Jews—two black, one white—in the days just following Appomattox, a play now brought to compelling life in a spectacular South Coast Repertory debut set to transfer next month to the Pasadena Playhouse.
(read more)
Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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