THE PAINTED ROCKS AT REVOLVER CREEK

Premier South African playwright Athol Fugard once again puts a personal face on apartheid in his deeply moving two-act drama The Painted Rocks Of Revolver Creek, now getting a gorgeously-acted West Coast Premiere at Fugard’s Los Angeles home, the award-winning Fountain Theatre.
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MIRAVEL

RECOMMENDED

Cyrano de Bergerac gets a jazz-infused contemporary update in Jake Broder’s play with music Miravel, a Sacred Fools World Premiere that scores high marks for performance, both vocal and instrumental, but could use some tweaking and tightening, particularly in its overlong first act.
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THE SPARROW

A teenage girl’s return to her hometown following a ten-year absence takes both the introverted orphan and the audience observing her journey-into-adulthood on unexpected paths in The Sparrow, now getting a supremely theatrical West Coast Premiere by Coeurage Theatre Company, “Los Angeles’ only pay-what-you-want theatre.” (They’ve even trademarked the slogan.).
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WICKED LIT 2015

Wicked Lit is back for 2015 at Altadena’s Mountain View Mausoleum And Cemetery, a venue so mysterious and spooky that it’s helped make this creepy, kooky trio of terrorific one-acts an annual L.A. tradition for the past half-dozen years and counting.
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HOUND OF THE BASKERVILLES

RECOMMENDED

Sherlock Holmes is back and Actors Co-op’s got him, though Tim Kelly’s stage(y) adaptation of Sir Arthur Conan Doyle’s Hound Of The Baskervilles proves an only okay showcase for both its cast and its master sleuth protagonist.

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DOUBLE DOOR

No matter who your favorite TV soap villainess might be, she could learn a thing or two from the selfish, conniving, ruthless monster created way back in 1931 by Elizabeth McFadden for her suspense melodrama Double Door, now deliciously revived for a 21st-century audience at Beverly Hills’ Theatre 40.
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SEVEN SPOTS ON THE SUN

A brutal civil war’s effects on the lives and psyches of the residents of a pair of neighboring Latin American villages gets examined—and grippingly so—in Martín Zimmerman’s gut-wrenchingly powerful Seven Spots On The Sun, now being given the kind of West Coast Premiere at Pasadena’s The Theatre @ Boston Court that most young playwrights can only dream of.
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HOMEFREE

When choosing Homefree, Lisa Loomer’s compelling, often devastating look at a trio of homeless teens, as the first production of its 2014-2015 season, the Road Theatre Company could not possibly have imagined that only four days after Opening Night, Los Angeles Mayor Eric Garcetti would publicly declare a “state of emergency” on homelessness, words that would render the latest Road World Premiere as timely as this week’s headlines.
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