BROKEN FENCES
Saturday, February 27th, 2016
The effects of urban gentrification on two Chicago couples, one upwardly mobile and white, the other financially challenged and black, are examined in Broken Fences, a Road Theatre Company World Premiere whose star performances and impressive production design largely overcome the tonal inconsistencies and missed opportunities of Steven Simoncic’s thought-provoking, often quite powerful script.
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COLONY COLLAPSE
Monday, February 22nd, 2016
Overambitious Colony Collapse may well be, and run about fifteen minutes longer than it should, but Stefanie Zadravec’s interweaving of five crisscrossing monologs with a realistic family drama plus a mysterious girl inhabiting a world of her own add up to a compelling World Premiere for The Theatre @ Boston Court, one sure to provoke much post-performance discussion with its themes of children gone missing, family relationships broken by drug-addiction, and a mysterious disease that has caused the death of over ten million North American bees in the past ten years.
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SALOME
Friday, February 12th, 2016RECOMMENDED
You may love it, you may hate it, you may leave the theater scratching your head and wondering “WTF was that about?” … but one thing is certain. There’s nothing else in town quite like the “militantly erotic epiphany for the 21st Century” that is Christopher Adams-Cohen’s Salome, the playwright/actor’s “radically queer reinvention of the ancient tale of [you guessed it] Salome.”
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FLY
Tuesday, February 2nd, 2016
The Tuskegee Airmen take off to exhilarating, spellbinding, emotionally powerful effect as the Pasadena Playhouse presents Trey Ellis and Ricardo Khan’s Fly, a West Coast Premiere destined to be one of the year’s most lauded, most unforgettable productions.
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THE DODGERS
Monday, February 1st, 2016
What if all it took to determine whether you lived or died was your date of birth? This was the worst nightmare come true of over 850,000 18-26-year-old American males back on December 1, 1969, when the United States government held its first “Draft Lottery,” the losers of which were virtually assured a one-way ticket to Vietnam.
Playwright Diana Amsterdam takes us back to this not-so-long-ago reality in her gripping new play The Dodgers, now getting an exciting World Premiere at the Hudson Mainstage with as star-studded a 20something cast as you’re likely to see all year in a 99-seat production.
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DREAM BOY
Sunday, January 31st, 2016
Nine years after a pair of gay teen boys fell unforgettably into first love in Jonathan Harvey’s Beautiful Thing, Celebration Theatre and director Michael Matthews reunite for the similarly themed (albeit considerably darker) Dream Boy, Eric Rosen’s meticulously faithful adaptation of Jim Grimsley’s haunting Southern Gothic novel, an imaginatively directed, superbly performed, gorgeously designed Los Angeles Premiere marred only by poor sightlines that will often have you craning to see the action.
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AWAKE & SING!
Sunday, January 10th, 2016
Clifford Odets’ Depression-era drama Awake & Sing! has reopened at the Odyssey Theatre for a January extension, exciting news indeed for fans of the kind of big-cast, big-issue Great American Classics that don’t get written anymore.
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A GOOD FAMILY
Sunday, November 29th, 2015RECOMMENDED
A charge of rape lodged against their college student son casts a pall over a Midwestern American couple’s Christmas Eve celebration in A Good Family, Marja-Lewis Ryan’s World Premiere drama that combines several of the elements that made her award-winning One In The Chamber a critical/popular hit last year—crisp writing, outstanding acting, edge-of-your-seat suspense—yet feels incomplete, and not simply for its hour-and-change running time.
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