THE DRAGON PLAY

RECOMMENDED

Interspecies love fuels Jenny Connell Davis’ The Dragon Play, a gorgeously designed Chance Theater production most likely to enchant those willing and able to buy into its boy-meets-dragon, boy-loses-dragon conceit.
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DOWN THE ROAD

RECOMMENDED

Chaz Bono’s bravura performance as a serial killer incarcerated for life is the best reason to catch Lee Blessing’s gripping if frustrating Down The Road, now playing at Hollywood’s Lounge Theatre.
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THE GREAT DIVIDE

NOT RECOMMENDED

The Elephant Theatre goes out with a fizzle instead of a bang with the World Premiere of Lyle Kessler’s family dysfunction-fest The Great Divide, a play so credibility-defying that not even the best efforts of director David Fofi and an excellent cast can save it—and its audience—from the dull-drums.
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STANLEY ANN: THE UNLIKELY STORY OF BARACK OBAMA’S MOTHER

Ann Noble makes an indelible impression as the woman who gave birth to our country’s president in the World Premiere production of Mike Kindle’s one-woman bioplay Stanley Ann: The Unlikely Story Of Barack Obama’s Mother.
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ALL-AMERICAN GIRL


A girl-next-door Bostonian turns Islamic terrorist in Wendy Graf’s powerful, thought-provoking solo-play All-American Girl, now getting its World Premiere production at Hollywood’s Lounge Theatre under Anita Khanzadian’s astute, visually imaginative direction.
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AUGUST: OSAGE COUNTY

It’s hard to imagine a more gorgeous setting for Tracy Letts’ sprawling August: Osage County than under the Topanga stars at Will Geer’s Theatricum Botanicum, just one reason why the Oklahoma family saga’s return to L.A. (for the first time since A:OC’s Broadway National Tour played the Ahmanson back in 2009) makes for news worth shouting to the heavens and beyond.
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OFF THE KING’S ROAD

NOT RECOMMENDED

Several bright supporting performances and a topnotch production design are not enough to rescue Off The King’s Road from its lackluster script, languorous pacing, and a numbingly dull lead performance, though truth be told it would take an actor with the charisma and star power of the late James Garner to stir up any interest in playwright Neil Koenigsberg’s sad sack protagonist.
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PICNIC

A hot-and-sexy college football star turned ne’er-do-well drifter arrives in a sleepy Midwest town circa 1952 and the lives of one family and their friends will never be the same again in William Inge’s American classic Picnic, now being given a pitch-perfect partner-cast revival by The Antaeus Company.
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