HOMEFREE

When choosing Homefree, Lisa Loomer’s compelling, often devastating look at a trio of homeless teens, as the first production of its 2014-2015 season, the Road Theatre Company could not possibly have imagined that only four days after Opening Night, Los Angeles Mayor Eric Garcetti would publicly declare a “state of emergency” on homelessness, words that would render the latest Road World Premiere as timely as this week’s headlines.
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HIT THE WALL


“I was there!” roar the eclectic band of 1969 Greenwich Village People who populate Hit The Wall, Ike Holter’s slice-of-Stonewall now getting a daringly staged, thrillingly visceral West Coast Premiere that is, simply put, the next best thing to having actually been “there.” (Take that, Roland Emmerich!)
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AMERICAN FALLS

George Gibbs and Emily Webb may have come of age over a hundred years ago in the New England equivalent of American Falls … but they had their lives a hell of a lot easier than the citizens of playwright Miki Johnson’s 21st-century Our Town, now getting an impressive Los Angeles Premiere by The Echo Theater Company.
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WHEN STARS ALIGN

A mixed-race slave comes of age on a Mississippi River cotton plantation during the Civil War years in Carole Eglash-Kosoff and John Henry Davis’s epic interracial love story When Stars Align, a mini-series worth of plot compacted into two hours (plus intermission) of gorgeously-staged historical melodrama that proves involving and ultimately quite moving despite some occasionally clunky dialog along the way.
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SOMEONE WHO’LL WATCH OVER ME

RECOMMENDED

Frank MacGuinness may have written Someone Who’ll Watch Over Me back in the early 1990s, but the Irish playwright’s seriocomedic look at three Westerners held hostage somewhere in the Middle East remains, nearly a quarter century later, as timely as today’s headlines, as San Pedro’s Little Fish Theatre imaginatively directed revival makes clear.
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FENCES

International City Theatre revives August Wilson’s Pulitzer Prize/Tony Award-winning Fences to stunning effect in a production sure to win universal acclaim for its director, its two extraordinary stars, its equally stellar supporting cast, and indeed everyone involved in this most powerful of stagings.
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PATTERNS

RECOMMENDED

Topnotch lead performances and a “plus ça change” fascination make James Reach’s Patterns, the stage adaptation of a Rod Serling screenplay set in the dog-eat-dog world of 1950s American big business, worth a look-see at Beverly Hills’ Theatre 40 despite an overlong running time and a so-so supporting cast.

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LOMBARDI

Vince Lombardi—coach, husband, father, man—comes to emotionally resonant life in Lombardi, Eric Simonson’s powerful 2010 Broadway biodrama whose terrific West Coast Premiere at North Hollywood’s The Group Rep might turn even sports-hating theatergoers into football buffs. It certainly made a Lombardi fan out of me.
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