33 VARIATIONS

Actors Co-op’s intimate revival of Moisés Kaufman’s 33 Variations is not only one of the year’s finest 99-seat productions, it is among the all-time best I’ve seen at the Co-op since first discovering the Hollywood theatrical gem over two decades ago.
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WITNESS FOR THE PROSECUTION

A couple of miscast lead roles undermine credibility throughout what would otherwise be a satisfactory production of Agatha Christie’s Witness For The Prosecution at The Group Rep.
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FREE OUTGOING

Powerful performances highlighted by Anna Khaja’s riveting star turn command attention in the Los Angeles Premiere of Anupama Chandrasekhar’s Free Outgoing. Still, the unremitting bleakness of its shocking-but-true story of conservative Indian values in today’s anything-goes Internet age could make it a hard sell for East West Players.
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ZOOT SUIT

Downtown Los Angeles explodes with music, dance, and dramatic fireworks as the Mark Taper Forum celebrates its 50th-Anniversary Season with a spectacular, timelier-than-ever revival of Luis Valdez’s legendary Zoot Suit.
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MOBY DICK

Ten brilliantly talented performers, an inspired director/adapter, and a dazzlingly ingenious production design team join talents on South Coast Repertory’s Segerstrom Stage as Chicago’s Lookingglass Theatre Company’s acclaimed Moby Dick visits Costa Mesa, proof positive that you don’t need a hundred-million Hollywood bucks to turn a Herman Melville classic into two-and-a half hours of epic storytelling magic.
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WHITE GUY ON THE BUS

With racism once again being given permission to rear its hideous head in today’s post-Obama America, the time could not be riper for Bruce Graham’s riveting, conversation-provoking White Guy On The Bus to make its Los Angeles debut at The Road On Magnolia.
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LATE COMPANY

Anti-gay bullying and its potentially fatal consequences are hardly topics you’d expect to see tackled by a theater company perhaps best known for seniors-friendly mystery/comedy fare, but these are precisely the issues that propel Canadian playwright Jordan Tannahill’s shattering family drama Late Company, now being given a compelling American Premiere at Beverly Hill’s Theatre 40.
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BEE-LUTHER-HATCHEE

With racial violence on the rise, racists increasingly fearless in spouting (and acting upon) their hate, and an incoming President owing his election, at least in part, to racist backlash against his predecessor, the timing could hardly be more apt for Sierra Madre Playhouse to give Thomas Gibbons’ provative Bee-luther-hatchee the powerful revival it deserves, now more than ever.
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