UNBROKEN BLOSSOMS


Hollywood history comes alive at East West Players in Philip W. Chung’s Unbroken Blossoms, a fascinating and elucidating behind-the-scenes look at the silent movie classic that was Hollywood’s first interracial love story.
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THE SANDWICH MINISTRY

Performances could hardly be better, but 65 minutes isn’t nearly long enough for playwright Miranda Rose Hall to fully flesh out her three protagonists or the issues raised in The Sandwich Ministry, now nearing the end of its run at the Skylight Theatre.
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BLACKBIRD


Dakota Wolf and Ron Hastings deliver powerhouse performances as a 20something woman and the decades-older man who had sex with her when she was only 12 in David Harrower’s Blackbird, a harrowing, disturbing, utterly compelling guest production at Anaheim’s Chance Theater.
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TWO STOP


A Korean convenience store owner and a half-Black, half-Korean teen square off as the Los Angeles riots rage only blocks away in David Johann Kim’s you-are-there-on-the-edge-of-your-seat World Premiere drama Two Stop, the pulse-pounding latest from Ensemble Studio Theatre Los Angeles.
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PANG SPA


Chalk Repertory Theatre returns with its first fully-staged production since 2018’s Death And Cockroaches, an absolutely superb World Premiere staging of David Johann Kim’s mesmerizing Pang Spa.
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TINY BEAUTIFUL THINGS


Dear Abby and Ann Landers could learn a thing or two from Sugar, the advice columnist whose empathetic, profound, deeply moving responses to folks in dire need of counsel make Chance Theater’s Orange County Premiere of Tiny Beautiful Things the most heartstrings-tugging show in town.
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A VIEW FROM THE BRIDGE


Pulitzer Prize winner Arthur Miller ignites fires of lust, jealousy, and revenge at Theatre Palisades in A View From The Bridge, a community theater stunner whose riveting performances and spot-on direction rival the best that L.A. equity houses have to offer.
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CONEY ISLAND LAND, OR THE GREAT EXISTENTIAL ACTUALITY AT THE END OF THE UNIVERSE


High school sweethearts reunite for the first time since their breakup thirty years earlier in Timothy Braun’s absorbing World Premiere two-hander Coney Island Land, or The Great Existential Actuality at The End of The Universe, a terrifically acted and designed guest production at North Hollywood’s Theatre 68 Complex.
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